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ZENDAYA COUTURE ODYSSEY From the silicone molding to the couture ateliers to the runway to the red carpet. Fresh off the runway, #Zendaya wore the closing look -glowing from within- of Schiaparelli’s haute couture Fall/Winter 2026-2027 collection, designed by @DanielRoseberry. @Ivystwrt and @Zendaya wear a molded bustier in white glazed porcelain-effect silicone, racer back and lacing details, mirrored fringes embroidered with a white-to-mirror sfumato gradient. 📹: @christophe_tiphaine, @sametgorgozfilms, @walterfilms, @kukukuba Show music: @benbrunnemer #Schiaparelli
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ZENDAYA COUTURE ODYSSEY From the silicone molding to the couture ateliers to the runway to the red carpet. Fresh off the runway, #Zendaya wore the closing look -glowing from within- of Schiaparelli’s haute couture Fall/Winter 2026-2027 collection, designed by @DanielRoseberry. @Ivystwrt and @Zendaya wear a molded bustier in white glazed porcelain-effect silicone, racer back and lacing details, mirrored fringes embroidered with a white-to-mirror sfumato gradient. 📹: @christophe_tiphaine, @sametgorgozfilms, @walterfilms, @kukukuba Show music: @benbrunnemer #Schiaparelli
DUA & CALLUM @DuaLipa got married to Callum Turner at Old Marylebone Town Hall in London on Sunday, May 31, in Custom Schiaparelli Haute Couture, designed by @DanielRoseberry. Dua wears a sharply tailored ivory blazer in cady adorned with personalized gold bijoux buttons, and a matching asymmetric skirt with a sculpted blush bustier trimmed in white lace, paired with white gloves and completed with an oversized hat, lined in gold leaf, designed by Stephen Jones. Styled by @lorenzoposocco Photographed by @madison_phipps #Schiaparelli #DuaLipa #CallumTurner
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DUA & CALLUM @DuaLipa got married to Callum Turner at Old Marylebone Town Hall in London on Sunday, May 31, in Custom Schiaparelli Haute Couture, designed by @DanielRoseberry. Dua wears a sharply tailored ivory blazer in cady adorned with personalized gold bijoux buttons, and a matching asymmetric skirt with a sculpted blush bustier trimmed in white lace, paired with white gloves and completed with an oversized hat, lined in gold leaf, designed by Stephen Jones. Styled by @lorenzoposocco Photographed by @madison_phipps #Schiaparelli #DuaLipa #CallumTurner
KYLIE UNDRESSED A ‘DROPPED BALL GOWN’ IMAGINED BY @DANIELROSEBERRY. MET GALA 2026 Requiring 11,000 hours of embroidery work, @KylieJenner wears a rigid bustier in brown corset toile embellished with a sfumato effect and a voluminous skirt in butter duchess satin embroidered with over 2,000 sating stitch balls, 10,000 natural baroque pearls and more that 7,000 painted pearlescent fish scales and mules with an asymmetrical wavy décolleté in matching satin. Kylie Jenner’s stylists: @makkaroo @rosegrandquist #Schiaparelli #MetGala
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KYLIE UNDRESSED A ‘DROPPED BALL GOWN’ IMAGINED BY @DANIELROSEBERRY. MET GALA 2026 Requiring 11,000 hours of embroidery work, @KylieJenner wears a rigid bustier in brown corset toile embellished with a sfumato effect and a voluminous skirt in butter duchess satin embroidered with over 2,000 sating stitch balls, 10,000 natural baroque pearls and more that 7,000 painted pearlescent fish scales and mules with an asymmetrical wavy décolleté in matching satin. Kylie Jenner’s stylists: @makkaroo @rosegrandquist #Schiaparelli #MetGala
BaD BuNNY CoUTURE @BADBUNNYPR WEARS CUSTOM SCHIAPARELLI HAUTE COUTURE MAN DESIGNED BY @DANIELROSEBERRY TO THE HAUTE COUTURE FALL/WINTER 2026-2027 SHOW Benito wears a black and gold threaded « braid » tie, on a white silk shirt and a butter cream double-breasted peak lapel wool and silk suit with matching wide legged trousers. The suit is embellished with bespoke bijoux buttons and lapel pins with the House’s signature Keyhole and Eye details. Styled a glossy black mock croc leather cowboy belt with the signature Anatomy buckle and black leather custom cowboy boots. 📹: @sametgorgozfilms Music: @benbrunnemer #Schiaparelli #BadBunny
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BaD BuNNY CoUTURE @BADBUNNYPR WEARS CUSTOM SCHIAPARELLI HAUTE COUTURE MAN DESIGNED BY @DANIELROSEBERRY TO THE HAUTE COUTURE FALL/WINTER 2026-2027 SHOW Benito wears a black and gold threaded « braid » tie, on a white silk shirt and a butter cream double-breasted peak lapel wool and silk suit with matching wide legged trousers. The suit is embellished with bespoke bijoux buttons and lapel pins with the House’s signature Keyhole and Eye details. Styled a glossy black mock croc leather cowboy belt with the signature Anatomy buckle and black leather custom cowboy boots. 📹: @sametgorgozfilms Music: @benbrunnemer #Schiaparelli #BadBunny
TEYANA CROWN AFFAIR.

@TeyanaTaylor arriving to the @Schiaparelli Spring/Summer 2026 Haute Couture Show at the @PetitPalais_Musee in Paris.

Teyana wears a sharp-shouldered transparent top in black chantilly lace with a matching pencil skirt. 
Antique silver head crown with pearls and rhinestones and an antique silver chandelier brooch with a rhinestone knot.

Video @SametGorgozfilms
Music @BenBrunnemer

#Schiaparelli
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TEYANA CROWN AFFAIR.

@TeyanaTaylor arriving to the @Schiaparelli Spring/Summer 2026 Haute Couture Show at the @PetitPalais_Musee in Paris.

Teyana wears a sharp-shouldered transparent top in black chantilly lace with a matching pencil skirt. 
Antique silver head crown with pearls and rhinestones and an antique silver chandelier brooch with a rhinestone knot.

Video @SametGorgozfilms
Music @BenBrunnemer

#Schiaparelli
ZENDAYA. @ZENDAYA WEARS SCHIAPARELLI HAUTE COUTURE TO THE WORLD PREMIERE OF “THE ODYSSEY” DIRECTED BY CHRISTOPHER NOLAN, IN LONDON. Straight from the runway, Zendaya wears the closing look, illuminated from within, of our Haute Couture collection: a glowing dress with a molded bustier in white glazed porcelain-effect silicone, racer back and lacing details, mirrored fringes embroidered with a white-to-mirror sfumato gradient. Stylist: @luxurylaw Music: @benbrunnemer #Schiaparelli #Zendaya
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ZENDAYA. @ZENDAYA WEARS SCHIAPARELLI HAUTE COUTURE TO THE WORLD PREMIERE OF “THE ODYSSEY” DIRECTED BY CHRISTOPHER NOLAN, IN LONDON. Straight from the runway, Zendaya wears the closing look, illuminated from within, of our Haute Couture collection: a glowing dress with a molded bustier in white glazed porcelain-effect silicone, racer back and lacing details, mirrored fringes embroidered with a white-to-mirror sfumato gradient. Stylist: @luxurylaw Music: @benbrunnemer #Schiaparelli #Zendaya
RIHANNARELLI @Badgalriri wears Schiaparelli Spring/Summer 2026 Haute Couture photographed by @szilvesztermako and styled by @edward_enninful for @EE72. From the ateliers to the runway, the sharp-shouldered ‘Elsa’ jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips. The collar turns into a lightweight wing embroidered with thousands of hand-painted sfumato effect feathers and warm silver bijou embroidery. Styling and Creative Direction: @edward_enninful Photographer: @szilvesztermako Hair: @yusefhairnyc Makeup: @ammydrammeh Nails: @jennynails Style Director: @denagia Fashion Editor: @rebeccapurshouse Set Design: @felixgesnouin Tailor: @briannatoomer Production: @wearecounsel #Schiaparelli #Rihanna
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RIHANNARELLI @Badgalriri wears Schiaparelli Spring/Summer 2026 Haute Couture photographed by @szilvesztermako and styled by @edward_enninful for @EE72. From the ateliers to the runway, the sharp-shouldered ‘Elsa’ jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips. The collar turns into a lightweight wing embroidered with thousands of hand-painted sfumato effect feathers and warm silver bijou embroidery. Styling and Creative Direction: @edward_enninful Photographer: @szilvesztermako Hair: @yusefhairnyc Makeup: @ammydrammeh Nails: @jennynails Style Director: @denagia Fashion Editor: @rebeccapurshouse Set Design: @felixgesnouin Tailor: @briannatoomer Production: @wearecounsel #Schiaparelli #Rihanna
THE SCHIAPARELLI MAN @BadBunnypr makes history at the 68th Grammy’s as the first Latin artist with a Spanish-language album to win ‘Album of the year’ in Schiaparelli’s first Haute Couture red carpet menswear look imagined by @DanielRoseberry. He also took home the awards for ‘Best Música Urbana Album’ and ‘Best Global Music Performance’. Benito’s look is a custom Schiaparelli black velvet smoking ensemble, inspired by the original bottle of the Maison’s signature fragrance, ‘Shocking’. The look was adorned with a measuring-tape lapel and a laced-up back. #schiaparelli #badbunny #grammys
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THE SCHIAPARELLI MAN @BadBunnypr makes history at the 68th Grammy’s as the first Latin artist with a Spanish-language album to win ‘Album of the year’ in Schiaparelli’s first Haute Couture red carpet menswear look imagined by @DanielRoseberry. He also took home the awards for ‘Best Música Urbana Album’ and ‘Best Global Music Performance’. Benito’s look is a custom Schiaparelli black velvet smoking ensemble, inspired by the original bottle of the Maison’s signature fragrance, ‘Shocking’. The look was adorned with a measuring-tape lapel and a laced-up back. #schiaparelli #badbunny #grammys
BLUE IS THE WARMEST COLOR - @ZENDAYA 27 shades of blue. A radial effect of 65,000 kingfisher raw silk “feathers” in satin stitch embroidery. Over 8,000 hours of craftsmanship. A making-of of #Zendaya’s Haute Couture Spring/Summer 2026 look -from the ateliers to the runway, to the red carpet- designed by @DanielRoseberry. Photography: @kukukuba Video: @christophe_tiphaine Zendaya’s stylist: @luxurylaw #Schiaparelli
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BLUE IS THE WARMEST COLOR - @ZENDAYA 27 shades of blue. A radial effect of 65,000 kingfisher raw silk “feathers” in satin stitch embroidery. Over 8,000 hours of craftsmanship. A making-of of #Zendaya’s Haute Couture Spring/Summer 2026 look -from the ateliers to the runway, to the red carpet- designed by @DanielRoseberry. Photography: @kukukuba Video: @christophe_tiphaine Zendaya’s stylist: @luxurylaw #Schiaparelli
BELLA DE JOUR @BellaHadid wears a custom Schiaparelli Haute Couture dress designed by @DanielRoseberry and requiring 22,160 hours of embroidery work and the expertise of 130 artisans, at the 79th Cannes Film Festival. An ivory gown entirely crafted in trompe l’œil lace embroidery made of cords and anchor threads with a dramatic plunging neckline and tiered mermaid train. Stylist: @MimiCuttrell Filmed by @SametGorgozfilms #Schiaparelli #Cannes2026
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BELLA DE JOUR @BellaHadid wears a custom Schiaparelli Haute Couture dress designed by @DanielRoseberry and requiring 22,160 hours of embroidery work and the expertise of 130 artisans, at the 79th Cannes Film Festival. An ivory gown entirely crafted in trompe l’œil lace embroidery made of cords and anchor threads with a dramatic plunging neckline and tiered mermaid train. Stylist: @MimiCuttrell Filmed by @SametGorgozfilms #Schiaparelli #Cannes2026
SCHIAPARELLI HAUTE COUTURE FALL/WINTER 2026-2027 ‘THE ABYSS’ "Formulas are antithetical to the magic of creation, which can be found only in total surrender to the unknown. Only when I surrendered to the void did I truly start to enjoy making this collection. Couture has always transformed the ordinary into the extraordinary. Here, that transformation asked us to think beyond “noble” materials, asking whether beauty resides in the material itself - or in the imagination capable of reinventing it. We paired haute couture techniques with synthetic materials: instead of the traditional silks, satins, and wools, we instead used latex, silicone, pools of paint baked into sheets and sculpted into silhouettes. And of course, none of this experimentation would have been possible without the extraordinary artisans who work in our ateliers. Their expertise is what gives us the freedom to venture into the unknown in the first place. They remind me that couture’s greatest luxury isn’t its materiality, but the hands that make it. Perhaps this is Elsa’s greatest legacy: not a vocabulary of symbols, but the belief that impossibility itself can become a creative method. The moments when certainty disappears are often the moments when something genuinely new becomes possible. So here we go. Take my hand: and jump off with me into the bliss - of the abyss." - @DanielRoseberry Stylist @_MarieChaix_ Casting @Piergiorgio
Makeup @Patstingz
Hair @GuidoPalau
Nails @AnatoleRainey Film Direction: @ClaraCullen
Film Production: @WalterFilms Music @BenBrunnemer
Production @VillaEugenie #Schiaparelli
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SCHIAPARELLI HAUTE COUTURE FALL/WINTER 2026-2027 ‘THE ABYSS’ "Formulas are antithetical to the magic of creation, which can be found only in total surrender to the unknown. Only when I surrendered to the void did I truly start to enjoy making this collection. Couture has always transformed the ordinary into the extraordinary. Here, that transformation asked us to think beyond “noble” materials, asking whether beauty resides in the material itself - or in the imagination capable of reinventing it. We paired haute couture techniques with synthetic materials: instead of the traditional silks, satins, and wools, we instead used latex, silicone, pools of paint baked into sheets and sculpted into silhouettes. And of course, none of this experimentation would have been possible without the extraordinary artisans who work in our ateliers. Their expertise is what gives us the freedom to venture into the unknown in the first place. They remind me that couture’s greatest luxury isn’t its materiality, but the hands that make it. Perhaps this is Elsa’s greatest legacy: not a vocabulary of symbols, but the belief that impossibility itself can become a creative method. The moments when certainty disappears are often the moments when something genuinely new becomes possible. So here we go. Take my hand: and jump off with me into the bliss - of the abyss." - @DanielRoseberry Stylist @_MarieChaix_ Casting @Piergiorgio
Makeup @Patstingz
Hair @GuidoPalau
Nails @AnatoleRainey Film Direction: @ClaraCullen
Film Production: @WalterFilms Music @BenBrunnemer
Production @VillaEugenie #Schiaparelli
THE BLISS OF THE ABYSS: A MANIFESTO. "I’ll be honest. Last season’s collection felt like a kind of a breakthrough, a new benchmark for Schiaparelli. Great, I thought: I’ve cracked the formula. So when I started working on this collection, I was pretty confident: all I had to do was re-create last season’s creative process. I knew the template I had to follow: Step 1: Go on a trip. Be inspired.
Step 2: Visit an iconic architectural site and have a transcendent experience (for this season, I went to Barcelona to see Gaudi’s work).
Step 3: Come back inspired and away we go! It didn’t work like that. In trying to control the creative process, and ignoring what the French call ‘l’appel du vide’ -the call of the void- I stifled not only myself, but the work. Formulas are antithetical to the magic of creation, which can be found only in total surrender to the unknown. Only when I surrendered to the void did I truly start to enjoy making this collection. When I found myself searching during this collection, I thought of a 1922 Rainer Maria Rilke poem about mystery, faith, and the unknown, titled “You, Darkness”: it reminded me that while we talk about how couture is something to master, we don’t really think about what true mastery actually means. Perhaps that is the deepest lesson Elsa left this House: not a vocabulary of symbols, but a permission to believe that impossibility itself can become a creative method. The moments when certainty disappears are often the moments when something genuinely new becomes possible. So here we go. Take my hand: and jump off with me into the bliss - of the abyss." @DanielRoseberry on Schiaparelli’s Fall/Winter 2026-2027 Haute Couture. 📹: @christophe_tiphaine Music: @benbrunnemer #Schiaparelli
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THE BLISS OF THE ABYSS: A MANIFESTO. "I’ll be honest. Last season’s collection felt like a kind of a breakthrough, a new benchmark for Schiaparelli. Great, I thought: I’ve cracked the formula. So when I started working on this collection, I was pretty confident: all I had to do was re-create last season’s creative process. I knew the template I had to follow: Step 1: Go on a trip. Be inspired.
Step 2: Visit an iconic architectural site and have a transcendent experience (for this season, I went to Barcelona to see Gaudi’s work).
Step 3: Come back inspired and away we go! It didn’t work like that. In trying to control the creative process, and ignoring what the French call ‘l’appel du vide’ -the call of the void- I stifled not only myself, but the work. Formulas are antithetical to the magic of creation, which can be found only in total surrender to the unknown. Only when I surrendered to the void did I truly start to enjoy making this collection. When I found myself searching during this collection, I thought of a 1922 Rainer Maria Rilke poem about mystery, faith, and the unknown, titled “You, Darkness”: it reminded me that while we talk about how couture is something to master, we don’t really think about what true mastery actually means. Perhaps that is the deepest lesson Elsa left this House: not a vocabulary of symbols, but a permission to believe that impossibility itself can become a creative method. The moments when certainty disappears are often the moments when something genuinely new becomes possible. So here we go. Take my hand: and jump off with me into the bliss - of the abyss." @DanielRoseberry on Schiaparelli’s Fall/Winter 2026-2027 Haute Couture. 📹: @christophe_tiphaine Music: @benbrunnemer #Schiaparelli
LOOK 29 - LULU, photographed by @DanielRoseberry, taken minutes before the show. ‘THE AGONY AND THE ECSTASY’ HAUTE COUTURE SPRING/SUMMER 2026 Lulu wears a sharp-shouldered ‘Elsa’ jacket in black cotton and organza enhanced with a defying gravity hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral, Shocking pink. The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips. A silver metal sun-shaped headpiece set with rhinestones. Black satin sandal with an asymmetrical wavy vamp enhanced with a strassed Keyhole and a curved heel. Stylist @_MarieChaix_ Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist Film Direction: @ClaraCullen
Film Production: @WalterFilms Music @BenBrunnemer
Production @VillaEugenie #Schiaparelli
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LOOK 29 - LULU, photographed by @DanielRoseberry, taken minutes before the show. ‘THE AGONY AND THE ECSTASY’ HAUTE COUTURE SPRING/SUMMER 2026 Lulu wears a sharp-shouldered ‘Elsa’ jacket in black cotton and organza enhanced with a defying gravity hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral, Shocking pink. The jacket is enhanced with four hand-sculpted 3D bird beaks in shades of browns and mauves and defying gravity hips. A silver metal sun-shaped headpiece set with rhinestones. Black satin sandal with an asymmetrical wavy vamp enhanced with a strassed Keyhole and a curved heel. Stylist @_MarieChaix_ Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist Film Direction: @ClaraCullen
Film Production: @WalterFilms Music @BenBrunnemer
Production @VillaEugenie #Schiaparelli
EVERYTHING IS ILLUMINATED ANA BEATRIZ - LOOK 12 SCHIAPARELLI HAUTE COUTURE FALL/WINTER 2026-2027 BY @DANIELROSEBERRY. Glowing sharp-shouldered tailored jacket in an amber hue silicone inspired by the Maison’s iconic Shocking perfume bottle. The jacket is embroidered with the signature Measuring Tape along the edge and illuminated from within. Low-rise bias-cut pants in black liquid satin. Gold plated brass chandelier necklace adorned with rhinestones and baroque pearls. Anemone inspired earrings in gold brass and rhinestones. Black brushed leather belt embellished with a buckle inspired by a coral reef. Black satin sandals with a curved heel, a rhinestone bijou and mirror leather soles. Video: @christophe_tiphaine Music: @benbrunnemer #Schiaparelli
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EVERYTHING IS ILLUMINATED ANA BEATRIZ - LOOK 12 SCHIAPARELLI HAUTE COUTURE FALL/WINTER 2026-2027 BY @DANIELROSEBERRY. Glowing sharp-shouldered tailored jacket in an amber hue silicone inspired by the Maison’s iconic Shocking perfume bottle. The jacket is embroidered with the signature Measuring Tape along the edge and illuminated from within. Low-rise bias-cut pants in black liquid satin. Gold plated brass chandelier necklace adorned with rhinestones and baroque pearls. Anemone inspired earrings in gold brass and rhinestones. Black brushed leather belt embellished with a buckle inspired by a coral reef. Black satin sandals with a curved heel, a rhinestone bijou and mirror leather soles. Video: @christophe_tiphaine Music: @benbrunnemer #Schiaparelli
SCHIAPARELLI HAUTE COUTURE SPRING/SUMMER 2026 by @DANIELROSEBERRY
 ‘The emotional core of this collection was revealed to me while I was on a creative retreat outside of Rome. One afternoon, I arranged a last-minute tour to see the Sistine Chapel. If you’ve been there, you know that the first thing you see isn’t the ceiling, but the walls, densely painted by an army of artists in the years before Michelangelo began his work in 1508. But crane your neck skyward, and thought stops. Feeling begins. That’s because forty years later, one man came in and singlehandedly changed art forever. Here is agony and ecstasy comingled, terrible and exquisite. He didn’t tell us what happened, but instead gave his audience permission on how to feel when they looked at art. It woke up the world. And 500 years later, it woke me up, too. I stopped thinking for the first time in years of how something should look, but instead about how I feel when creating it. That revelation informed every part of this collection. Sharp strokes and rapid squiggles became scorpion tails. I drew stingers and snake teeth, chimeraed archetypes of couture with venom. I knew these reptilian creatures, these “infantas terribles,” as I called them, would become the heroes of the collection, our ceiling: they’d be birds of flight, defying gravity, bold in color, explosive in silhouette. So many people ask me what the point is of couture. It’s certainly not to create clothing for daily life. But for me, couture allows me to connect with the hopeful adolescent I once was, the one who decided to not go into medicine or finance or law, but to chase that singular fantasy that fashion can still provide. Let the rest of the year be about reality. But nothing is more powerful—or timeless—or for me, more now, than getting to unchain my imagination…and, I hope, yours. Couture is an invitation. Stop thinking, it tells you. It’s time to feel. You only have to look up.’- Daniel Roseberry. Stylist @_MarieChaix_ Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist Film Direction: @ClaraCullen
Film Production: @WalterFilms Music @BenBrunnemer
Production @VillaEugenie
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SCHIAPARELLI HAUTE COUTURE SPRING/SUMMER 2026 by @DANIELROSEBERRY
 ‘The emotional core of this collection was revealed to me while I was on a creative retreat outside of Rome. One afternoon, I arranged a last-minute tour to see the Sistine Chapel. If you’ve been there, you know that the first thing you see isn’t the ceiling, but the walls, densely painted by an army of artists in the years before Michelangelo began his work in 1508. But crane your neck skyward, and thought stops. Feeling begins. That’s because forty years later, one man came in and singlehandedly changed art forever. Here is agony and ecstasy comingled, terrible and exquisite. He didn’t tell us what happened, but instead gave his audience permission on how to feel when they looked at art. It woke up the world. And 500 years later, it woke me up, too. I stopped thinking for the first time in years of how something should look, but instead about how I feel when creating it. That revelation informed every part of this collection. Sharp strokes and rapid squiggles became scorpion tails. I drew stingers and snake teeth, chimeraed archetypes of couture with venom. I knew these reptilian creatures, these “infantas terribles,” as I called them, would become the heroes of the collection, our ceiling: they’d be birds of flight, defying gravity, bold in color, explosive in silhouette. So many people ask me what the point is of couture. It’s certainly not to create clothing for daily life. But for me, couture allows me to connect with the hopeful adolescent I once was, the one who decided to not go into medicine or finance or law, but to chase that singular fantasy that fashion can still provide. Let the rest of the year be about reality. But nothing is more powerful—or timeless—or for me, more now, than getting to unchain my imagination…and, I hope, yours. Couture is an invitation. Stop thinking, it tells you. It’s time to feel. You only have to look up.’- Daniel Roseberry. Stylist @_MarieChaix_ Casting @Piergiorgio
Makeup @PatMcGrathreal
Hair @GuidoPalau
Nails @Cam.t.artist Film Direction: @ClaraCullen
Film Production: @WalterFilms Music @BenBrunnemer
Production @VillaEugenie
MáS BENITO Haute Couture fittings with @BadBunnyPR ahead of the Schiaparelli Fall/Winter 2026-2027 show. Benito wears a custom black and gold threaded "braid" tie, on a white silk shirt and a butter cream double-breasted peak lapel wool and silk suit with matching wide legged trousers. The suit is embellished with bespoke bijoux buttons and lapel pins with the House’s signature Keyhole and Eye details. Styled a glossy black mock croc leather cowboy belt with the signature Anatomy buckle and black leather custom cowboy boots. 📹: @christophe_tiphaine #Schiaparelli #BadBunny
3.62M
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4mo ago
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MáS BENITO Haute Couture fittings with @BadBunnyPR ahead of the Schiaparelli Fall/Winter 2026-2027 show. Benito wears a custom black and gold threaded "braid" tie, on a white silk shirt and a butter cream double-breasted peak lapel wool and silk suit with matching wide legged trousers. The suit is embellished with bespoke bijoux buttons and lapel pins with the House’s signature Keyhole and Eye details. Styled a glossy black mock croc leather cowboy belt with the signature Anatomy buckle and black leather custom cowboy boots. 📹: @christophe_tiphaine #Schiaparelli #BadBunny
SILICONE SATIN @DanielRoseberry explains how Matthew Barney’s ‘Cremaster’, seen in college, sparked the idea of a couture transformation extending beyond noble materials to challenge the building blocks of couture, pairing the traditional techniques with silicone - asking whether beauty resides in the material itself, or in the imagination capable of reinventing it. A silicone craftsmanship pushed to its limits, creating augmented reality bodies and illuminating the essence of each woman from within. Video: @christophe_tiphaine Music: @benbrunnemer #Schiaparelli
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schiaparelli
SILICONE SATIN @DanielRoseberry explains how Matthew Barney’s ‘Cremaster’, seen in college, sparked the idea of a couture transformation extending beyond noble materials to challenge the building blocks of couture, pairing the traditional techniques with silicone - asking whether beauty resides in the material itself, or in the imagination capable of reinventing it. A silicone craftsmanship pushed to its limits, creating augmented reality bodies and illuminating the essence of each woman from within. Video: @christophe_tiphaine Music: @benbrunnemer #Schiaparelli
YES, ITS READY-TO-WEAR. SPRING/SUMMER 2026 ACCESSORIES, DESIGNED BY @DANIELROSEBERRY. #Schiaparelli
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4mo ago
schiaparelli
YES, ITS READY-TO-WEAR. SPRING/SUMMER 2026 ACCESSORIES, DESIGNED BY @DANIELROSEBERRY. #Schiaparelli
EMMA COUTURE CORRIN @EMMALOUISECORRIN WEARS SCHIAPARELLI HAUTE COUTURE DESIGNED BY @DANIELROSEBERRY TO THE SCHIAPARELLI HAUTE COUTURE FALL/WINTER 2026-2027 SHOW. @EmmaLouiseCorrin wears a sharp-shouldered couture ‘Elsa’ jacket with a defying gravity hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral. The jacket is adorned with four hand-sculpted 3D bird beaks in shades of browns and mauves. The look is completed with black velvet pants and black satin sandal decorated with the house’s signature strassed Keyhole. 📹: @sametgorgozfilms Music: @benbrunnemer #Schiaparelli #EmmaCorrin
3.10M
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4mo ago
schiaparelli
EMMA COUTURE CORRIN @EMMALOUISECORRIN WEARS SCHIAPARELLI HAUTE COUTURE DESIGNED BY @DANIELROSEBERRY TO THE SCHIAPARELLI HAUTE COUTURE FALL/WINTER 2026-2027 SHOW. @EmmaLouiseCorrin wears a sharp-shouldered couture ‘Elsa’ jacket with a defying gravity hip and a wing collar embroidered with thousands of hand-painted sfumato effect feathers from pistachio to coral. The jacket is adorned with four hand-sculpted 3D bird beaks in shades of browns and mauves. The look is completed with black velvet pants and black satin sandal decorated with the house’s signature strassed Keyhole. 📹: @sametgorgozfilms Music: @benbrunnemer #Schiaparelli #EmmaCorrin
ARIANARELLI. THE MAKING. @ArianaGrande appeared in Custom Schiaparelli Haute Couture, designed by @DanielRoseberry, at the New York premiere of Wicked: For Good, directed by Jon M. Chu. Ballgown with a black ruched crepe and satin bustier, laced up the back, with delicate side bows and signature Keyhole embroidery at the bustier. Voluminous skirt made from 200 meters of silk organza and tulle split into 20 ruffles. Styling @LuxuryLaw Video @christophe_tiphaine Music @BenBrunnemer #Schiaparelli
2.94M
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11mo ago
schiaparelli
ARIANARELLI. THE MAKING. @ArianaGrande appeared in Custom Schiaparelli Haute Couture, designed by @DanielRoseberry, at the New York premiere of Wicked: For Good, directed by Jon M. Chu. Ballgown with a black ruched crepe and satin bustier, laced up the back, with delicate side bows and signature Keyhole embroidery at the bustier. Voluminous skirt made from 200 meters of silk organza and tulle split into 20 ruffles. Styling @LuxuryLaw Video @christophe_tiphaine Music @BenBrunnemer #Schiaparelli

Schiaparelli (@schiaparelli) Instagram Stats & Analytics

Schiaparelli (@schiaparelli) has 3.67M Instagram followers with a 5.66% engagement rate over the past 12 months. Across 126 posts, Schiaparelli received 10.5M total likes and 228M impressions, averaging 83.3K likes per post. This page tracks Schiaparelli's performance metrics, top content, and engagement trends — updated daily. To benchmark @schiaparelli against other accounts, use Socialpruf's Instagram competitor analysis tool.

Schiaparelli (@schiaparelli) Instagram Analytics FAQ

How many Instagram followers does Schiaparelli have?+
Schiaparelli (@schiaparelli) has 3.67M Instagram followers as of November 2026.
What is Schiaparelli's Instagram engagement rate?+
Schiaparelli's Instagram engagement rate is 5.66% over the last 12 months, based on 126 posts.
How many likes does Schiaparelli get on Instagram?+
Schiaparelli received 10.5M total likes across 126 posts in the last 12 months, averaging 83.3K likes per post.
How many Instagram impressions does Schiaparelli get?+
Schiaparelli's Instagram content generated 228M total impressions over the last 12 months.
Can I compare Schiaparelli with other Instagram accounts?+
Yes. Add @schiaparelli to a competitor set with Socialpruf's Instagram competitor analysis tool and benchmark it side by side with any other public accounts on views, engagement rate and follower growth, with history back to each account's first post.