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A glimpse behind the door scene with @arianagrande 🚪
8.87M
217K
1.60K
7mo ago
kevinmccarthytv
A glimpse behind the door scene with @arianagrande 🚪
Who remembers The Pest?!? Thanks to Zendaya for letting me squeeze this question after my interview time ran out. As you can imagine, once you’ve seen The Odyssey, it’s tough to have meaningful conversations in a 5-minute window of time. John Leguizamo’s performance in The Odyssey is absolutely brilliant. He has such incredible range. #theodyssey #zendaya #johnleguizamo #thepest #comedy
3.81M
331K
3.99K
1mo ago
kevinmccarthytv
Who remembers The Pest?!? Thanks to Zendaya for letting me squeeze this question after my interview time ran out. As you can imagine, once you’ve seen The Odyssey, it’s tough to have meaningful conversations in a 5-minute window of time. John Leguizamo’s performance in The Odyssey is absolutely brilliant. He has such incredible range. #theodyssey #zendaya #johnleguizamo #thepest #comedy
Macaulay Culkin joins my “On Film…With Kevin McCarthy” podcast to talk all things Home Alone, Uncle Buck, John Candy, Richie Rich, My Girl and his tour, “A Nostalgic Night With Macaulay Culkin”. For the full conversation, you can watch & listen via Spotify, YouTube, Apple Podcasts and more. Just search “On Film…With Kevin McCarthy” and all the previous episodes will show up along with the Macaulay Culkin episode. #reels #homealone #kevinmacallister #childhood
3.53M
268K
3.23K
9mo ago
kevinmccarthytv
Macaulay Culkin joins my “On Film…With Kevin McCarthy” podcast to talk all things Home Alone, Uncle Buck, John Candy, Richie Rich, My Girl and his tour, “A Nostalgic Night With Macaulay Culkin”. For the full conversation, you can watch & listen via Spotify, YouTube, Apple Podcasts and more. Just search “On Film…With Kevin McCarthy” and all the previous episodes will show up along with the Macaulay Culkin episode. #reels #homealone #kevinmacallister #childhood
Full podcast episode out now with Lili Reinhart talking her brilliant new show Hal & Harper, Riverdale, The Love Hypothesis and more. I love this episode so much. Thanks to @lilireinhart for taking the time to be on the show. Full podcast episode available on Spotify, Apple Podcasts and YouTube. Search “On Film…With Kevin McCarthy” to find the show. Please like, subscribe and download the episodes! You can find episodes of Hal & Harper streaming now on Mubi! #reels #lilireinhart #halandharper #riverdale
2.86M
42.4K
126
9mo ago
kevinmccarthytv
Full podcast episode out now with Lili Reinhart talking her brilliant new show Hal & Harper, Riverdale, The Love Hypothesis and more. I love this episode so much. Thanks to @lilireinhart for taking the time to be on the show. Full podcast episode available on Spotify, Apple Podcasts and YouTube. Search “On Film…With Kevin McCarthy” to find the show. Please like, subscribe and download the episodes! You can find episodes of Hal & Harper streaming now on Mubi! #reels #lilireinhart #halandharper #riverdale
Watch until the end! Wow! We all know the bees seen in “My Girl.” What I didn’t know was how it was actually done. This story shocked me. Watch until the end. It gets even more shocking. I can’t imagine. When I was a kid, I was mowing the lawn and got stuck by 15 yellow-jackets at the same time. It still haunts me to this day when I see a bee near me. To think Macaulay Culkin had thousands of bees on him, is absolutely wild to me. The question I asked, in the interview, was about how Macaulay emotional grappled with filming a death scene, in “My Girl”, at such a young age. I wanted to know how that affected him. And that lead to the answer about the bees. For the full podcast conversation with Macaulay Culkin, you can listen & watch via Spotify, YouTube, Apple or wherever you listen to podcasts. @culkamania #reels #macaulayculkin #mygirl #bees🐝
2.67M
122K
2.01K
9mo ago
kevinmccarthytv
Watch until the end! Wow! We all know the bees seen in “My Girl.” What I didn’t know was how it was actually done. This story shocked me. Watch until the end. It gets even more shocking. I can’t imagine. When I was a kid, I was mowing the lawn and got stuck by 15 yellow-jackets at the same time. It still haunts me to this day when I see a bee near me. To think Macaulay Culkin had thousands of bees on him, is absolutely wild to me. The question I asked, in the interview, was about how Macaulay emotional grappled with filming a death scene, in “My Girl”, at such a young age. I wanted to know how that affected him. And that lead to the answer about the bees. For the full podcast conversation with Macaulay Culkin, you can listen & watch via Spotify, YouTube, Apple or wherever you listen to podcasts. @culkamania #reels #macaulayculkin #mygirl #bees🐝
🤯🤯🤯 Such a small world. Turns out that Matt Damon and I both saw the same 70mm print of Lawrence of Arabia on the Sony lot. Both screenings were courtesy of Tom Rothman. One of the greatest theatrical experiences I’ve ever had. cc: @tomholland2013 ❤️🎥🎞️ #reels #mattdamon #lawrenceofarabia #theodyssey #tomholland
2.66M
186K
489
7mo ago
kevinmccarthytv
🤯🤯🤯 Such a small world. Turns out that Matt Damon and I both saw the same 70mm print of Lawrence of Arabia on the Sony lot. Both screenings were courtesy of Tom Rothman. One of the greatest theatrical experiences I’ve ever had. cc: @tomholland2013 ❤️🎥🎞️ #reels #mattdamon #lawrenceofarabia #theodyssey #tomholland
You could say that I’m a bit excited for the news of @mattbettinelliolpin & @tylergillett directing a new Mummy film with Brendan Fraser & Rachel Weisz returning. Could I use these tickets for the new film? @hiradiosilence
2.55M
217K
1.13K
10mo ago
kevinmccarthytv
You could say that I’m a bit excited for the news of @mattbettinelliolpin & @tylergillett directing a new Mummy film with Brendan Fraser & Rachel Weisz returning. Could I use these tickets for the new film? @hiradiosilence
Part 3 of Tom Cruise and I geeking out about filmmaking and cinematography. In this clip, we talk all about large format cameras and how they’ve been a part of Cruise’s filmography for decades. Cruise’s new film, Digger, is shot on the incredible 8-perf VistaVision format. We talk about the history of the VistaVision camera, using 65mm cameras on Ron Howard’s Far And Away, IMAX film cameras for Brad Bird’s Ghost Protocol and why these formats are used to immerse audiences. #tomcruise #digger #farandaway #ghostprotocol #imax
1.90M
68.3K
1.54K
1mo ago
kevinmccarthytv
Part 3 of Tom Cruise and I geeking out about filmmaking and cinematography. In this clip, we talk all about large format cameras and how they’ve been a part of Cruise’s filmography for decades. Cruise’s new film, Digger, is shot on the incredible 8-perf VistaVision format. We talk about the history of the VistaVision camera, using 65mm cameras on Ron Howard’s Far And Away, IMAX film cameras for Brad Bird’s Ghost Protocol and why these formats are used to immerse audiences. #tomcruise #digger #farandaway #ghostprotocol #imax
From recording hits for albums to producing scores, Finneas is a true hitmaker. Watch him join @kevinmccarthytv and talk touring, “Beef,” and more on @Spotify 🎥
1.90M
76.0K
186
4mo ago
kevinmccarthytv
From recording hits for albums to producing scores, Finneas is a true hitmaker. Watch him join @kevinmccarthytv and talk touring, “Beef,” and more on @Spotify 🎥
🫧🩷 THIS IS INCREDIBLE!! Even as I sat here editing this, I am just in awe at what Alice Brooks and Ariana Grande did with “The Girl In The Bubble” scene. I know this is a 5-min clip but I promise it’s worth watching to hear all the incredible details that had to be used to make this sequence, featuring multiple shots, look like one long continuous shot. What’s fascinating about a sequence like this is that it’s a great example of how technical decisions service the emotional arc of a character. All of these shots and choices are in-tune with Glinda’s journey. From a technical standpoint, Alice Brooks and Jon M. Chu are tasked with filming multiple shots that can be edited together to look like one. This takes incredible preparation and prep to design the set in a way that the camera and lighting can operate to bring the moment to life. From a performance perspective, @arianagrande has to keep a consistent emotional and vocal tone in all the different shots so that when it’s edited together as a “oner”, the audience feels they’ve just gone along a journey in a single shot. It’s such an amazing performance from Ariana. Ariana is also singing live during this sequence, which adds another technical level. And obviously have to shoutout the entire crew including the amazing @mikfliks who edits the sequence together, @jonmchu for directing the sequence and everyone on Alice’s crew to pull off this amazing shot. Clips and conversations like this are what remind me of why I love cinema so much. While the technical elements are amazing to see, it’s all in service of the story and the character. These tricks are used to build an emotional engagement with the audience so that we can suspend our disbelief and immerse ourselves in the storytelling. #reels #alicebrooks #arianagrande #wickedmovie #glinda
1.90M
16.4K
151
7mo ago
kevinmccarthytv
🫧🩷 THIS IS INCREDIBLE!! Even as I sat here editing this, I am just in awe at what Alice Brooks and Ariana Grande did with “The Girl In The Bubble” scene. I know this is a 5-min clip but I promise it’s worth watching to hear all the incredible details that had to be used to make this sequence, featuring multiple shots, look like one long continuous shot. What’s fascinating about a sequence like this is that it’s a great example of how technical decisions service the emotional arc of a character. All of these shots and choices are in-tune with Glinda’s journey. From a technical standpoint, Alice Brooks and Jon M. Chu are tasked with filming multiple shots that can be edited together to look like one. This takes incredible preparation and prep to design the set in a way that the camera and lighting can operate to bring the moment to life. From a performance perspective, @arianagrande has to keep a consistent emotional and vocal tone in all the different shots so that when it’s edited together as a “oner”, the audience feels they’ve just gone along a journey in a single shot. It’s such an amazing performance from Ariana. Ariana is also singing live during this sequence, which adds another technical level. And obviously have to shoutout the entire crew including the amazing @mikfliks who edits the sequence together, @jonmchu for directing the sequence and everyone on Alice’s crew to pull off this amazing shot. Clips and conversations like this are what remind me of why I love cinema so much. While the technical elements are amazing to see, it’s all in service of the story and the character. These tricks are used to build an emotional engagement with the audience so that we can suspend our disbelief and immerse ourselves in the storytelling. #reels #alicebrooks #arianagrande #wickedmovie #glinda
I meant every word. Anne Hathaway’s performance is remarkable. #theodyssey #annehathway #tomholland #penelope #telemachus
1.78M
130K
667
1mo ago
kevinmccarthytv
I meant every word. Anne Hathaway’s performance is remarkable. #theodyssey #annehathway #tomholland #penelope #telemachus
🤯🤯🤯🤯🤯 How is this even possible?! Wow. For context, over the years, when Christopher Nolan would film IMAX sequences in films like The Dark Knight or Interstellar, he couldn’t record usable dialogue because the cameras were so loud. This is why you would see aspect ratio changes, from the IMAX 1.43:1 to the wider 2.20:1, in films like Dunkirk where we are in heavier dialogue scenes on the boat. The cameras sounded like lawn mowers. It was a temporary solution that has now lead us to this moment where Nolan can now achieve every scene in the IMAX format. With the new Keighley IMAX camera, they were able to achieve a quieter camera but it still wasn’t quiet enough to record the clean dialogue. Therefore, the filmmakers built a “blimp” system to encase the IMAX camera, which brought the camera noise down significantly. This way, Nolan doesn’t have to use ADR for the actors to re-record their dialogue. He could get the actual performance, in IMAX, on the day without having to use a regular 65mm camera to film the scene with the real audio. He could get the scene he wanted with the IMAX film camera. That presented another challenge though because the blimp is so large that actors couldn’t stand naturally in front of each other to film highly intimate scenes. Nolan created a mirror system where the actors could still see the other, in the mirror reflection, to still bring the authenticity to the sequence. Pure filmmaking magic. Podcast episodes coming soon with Christopher Nolan, Matt Damon and the cast. Search “On Film…With Kevin McCarthy” wherever you get your podcasts. #christophernolan #mattdamon #theodyssey #hoytevanhoytema #keithdavis
1.63M
108K
630
2mo ago
kevinmccarthytv
🤯🤯🤯🤯🤯 How is this even possible?! Wow. For context, over the years, when Christopher Nolan would film IMAX sequences in films like The Dark Knight or Interstellar, he couldn’t record usable dialogue because the cameras were so loud. This is why you would see aspect ratio changes, from the IMAX 1.43:1 to the wider 2.20:1, in films like Dunkirk where we are in heavier dialogue scenes on the boat. The cameras sounded like lawn mowers. It was a temporary solution that has now lead us to this moment where Nolan can now achieve every scene in the IMAX format. With the new Keighley IMAX camera, they were able to achieve a quieter camera but it still wasn’t quiet enough to record the clean dialogue. Therefore, the filmmakers built a “blimp” system to encase the IMAX camera, which brought the camera noise down significantly. This way, Nolan doesn’t have to use ADR for the actors to re-record their dialogue. He could get the actual performance, in IMAX, on the day without having to use a regular 65mm camera to film the scene with the real audio. He could get the scene he wanted with the IMAX film camera. That presented another challenge though because the blimp is so large that actors couldn’t stand naturally in front of each other to film highly intimate scenes. Nolan created a mirror system where the actors could still see the other, in the mirror reflection, to still bring the authenticity to the sequence. Pure filmmaking magic. Podcast episodes coming soon with Christopher Nolan, Matt Damon and the cast. Search “On Film…With Kevin McCarthy” wherever you get your podcasts. #christophernolan #mattdamon #theodyssey #hoytevanhoytema #keithdavis
Part II. Tom Cruise and I geeking out about lenses and lighting while we stand in front of the actual Beaumont VistaVision camera that Emmanuel “Chivo” Lubezki used to film Alejandro González Iñárritu‘s DIGGER. How beautiful is that horizontal film magazine?!? What an honor to be able to chat technical filmmaking with such a brilliant artist. Hey @tomcruise, when are we starting our own filmmaking podcast? ❤️🎥🎞️ #tomcruise #vistavision #digger #interviewwiththevampire #cinematography
1.50M
86.5K
1.62K
1mo ago
kevinmccarthytv
Part II. Tom Cruise and I geeking out about lenses and lighting while we stand in front of the actual Beaumont VistaVision camera that Emmanuel “Chivo” Lubezki used to film Alejandro González Iñárritu‘s DIGGER. How beautiful is that horizontal film magazine?!? What an honor to be able to chat technical filmmaking with such a brilliant artist. Hey @tomcruise, when are we starting our own filmmaking podcast? ❤️🎥🎞️ #tomcruise #vistavision #digger #interviewwiththevampire #cinematography
Celebrating my legacy and 30 years of Scream with @meta and @threads. @kevinmccarthytv #Scream7 – Only in theatres February 27.
1.37M
54.7K
289
6mo ago
kevinmccarthytv
Celebrating my legacy and 30 years of Scream with @meta and @threads. @kevinmccarthytv #Scream7 – Only in theatres February 27.
Devastated to hear about the passing of the brilliant, funny, kind and incredibly talented Catherine O’Hara. Film is forever and Catherine will always live on every single time one of her films or TV shows graces the screen. Just wanted to reshare this moment to show her light and warmth. While I didn’t know Catherine O’Hara personally, I grew up with her characters and she’s always been a part of my life in that way. I feel lucky to have sat down and talked cinema with her. ❤️
1.10M
116K
695
7mo ago
kevinmccarthytv
Devastated to hear about the passing of the brilliant, funny, kind and incredibly talented Catherine O’Hara. Film is forever and Catherine will always live on every single time one of her films or TV shows graces the screen. Just wanted to reshare this moment to show her light and warmth. While I didn’t know Catherine O’Hara personally, I grew up with her characters and she’s always been a part of my life in that way. I feel lucky to have sat down and talked cinema with her. ❤️
For the full podcast conversation with @culkamania, search “On Film…With Kevin McCarthy” wherever you get your podcasts. Apple. Spotify. YouTube. Thanks again to Macaulay Culkin for joining my show! Get tickets to Macaulay’s Home Alone tour at HomeAloneTour.com. #reels #macaulayculkin #kraftmacncheese #macandcheese #homealone
1.10M
36.2K
565
9mo ago
kevinmccarthytv
For the full podcast conversation with @culkamania, search “On Film…With Kevin McCarthy” wherever you get your podcasts. Apple. Spotify. YouTube. Thanks again to Macaulay Culkin for joining my show! Get tickets to Macaulay’s Home Alone tour at HomeAloneTour.com. #reels #macaulayculkin #kraftmacncheese #macandcheese #homealone
Ryan Reynolds joins my film podcast “On Film…With Kevin McCarthy” for Episode 3. This is a crazy full circle. Ryan joined me to discuss the incredible new documentary, “John Candy: I Like Me.” The documentary is streaming now on Prime Video. For the podcast interview, you can watch & listen on YouTube, Spotify, Apple Podcasts and more. Link to the full YouTube version in my bio. This is a 65-min conversation covering Ryan’s whole career and the incredible new documentary. Listen to the end of the episode for a surprise at the end… I can’t thank @vancityreynolds enough for making this happen. Love you brother. ❤️ #ryanreynolds #johncandy
1.06M
12.2K
280
10mo ago
kevinmccarthytv
Ryan Reynolds joins my film podcast “On Film…With Kevin McCarthy” for Episode 3. This is a crazy full circle. Ryan joined me to discuss the incredible new documentary, “John Candy: I Like Me.” The documentary is streaming now on Prime Video. For the podcast interview, you can watch & listen on YouTube, Spotify, Apple Podcasts and more. Link to the full YouTube version in my bio. This is a 65-min conversation covering Ryan’s whole career and the incredible new documentary. Listen to the end of the episode for a surprise at the end… I can’t thank @vancityreynolds enough for making this happen. Love you brother. ❤️ #ryanreynolds #johncandy
Tom Cruise and I geeking out over the actual Beaumont VistaVision camera Emmanuel “Chivo” Lubezki used to film Alejandro González Iñárritu‘s DIGGER. This ended up being a 10-minute conversation with @tomcruise and I geeking out about shooting on film and the history of the VistaVision camera. Will share more soon. The VistaVision camera is really special. Designed around 1953/1954, the film mag sits flat, as the Kodak film stock runs through the camera exposing 8 perforations of film real estate. In a normal 35mm camera, the mag sits up, as the film runs through vertically, exposing up to 4 perforations of film real estate. That’s why when you watch classics like John Ford’s The Searchers or Alfred Hitchcock’s Vertigo, North by Northwest or To Catch a Thief, you can feel the large format and depth of those images. Because you’re getting double the film real estate, you have higher clarity and less grain. It’s why you can see shots of wide landscapes in perfect clarity. It’s such a special format. For comparison, a 65mm IMAX camera also has a horizontal mag as the film runs, also horizontally, through the camera exposing 15 perforations of film real estate. Therefore, when you think of a regular 35mm 4-perf camera, then jumping to a 65mm 5-perf camera, then jumping to the VistaVision 8-perf camera and then to a 65mm IMAX 15-perf camera, you can see how the image/grain quality changes in each step. It’s why formats are so special. You can experience films differently, physically & emotionally, in the multiple formats. What’s unique to VistaVision, is getting this gorgeous 1.50 aspect ratio with the 8-perf negative. It’s an astounding, tall and beautiful image. It’s the same format Paul Thomas Anderson used on One Battle After Another. When shooting in this format, you have so many options to release in IMAX 70mm, 70mm and of course, VistaVision. Film formats aren’t for show or a gimmick. They are an integral part of narrative storytelling. Filmmakers use it as a tool to tell the story in the best way possible. Anyone who knows me, knows I’m an analog guy. It just feels alive in a way that I can’t explain. #tomcruise #digger
1.03M
46.2K
638
1mo ago
kevinmccarthytv
Tom Cruise and I geeking out over the actual Beaumont VistaVision camera Emmanuel “Chivo” Lubezki used to film Alejandro González Iñárritu‘s DIGGER. This ended up being a 10-minute conversation with @tomcruise and I geeking out about shooting on film and the history of the VistaVision camera. Will share more soon. The VistaVision camera is really special. Designed around 1953/1954, the film mag sits flat, as the Kodak film stock runs through the camera exposing 8 perforations of film real estate. In a normal 35mm camera, the mag sits up, as the film runs through vertically, exposing up to 4 perforations of film real estate. That’s why when you watch classics like John Ford’s The Searchers or Alfred Hitchcock’s Vertigo, North by Northwest or To Catch a Thief, you can feel the large format and depth of those images. Because you’re getting double the film real estate, you have higher clarity and less grain. It’s why you can see shots of wide landscapes in perfect clarity. It’s such a special format. For comparison, a 65mm IMAX camera also has a horizontal mag as the film runs, also horizontally, through the camera exposing 15 perforations of film real estate. Therefore, when you think of a regular 35mm 4-perf camera, then jumping to a 65mm 5-perf camera, then jumping to the VistaVision 8-perf camera and then to a 65mm IMAX 15-perf camera, you can see how the image/grain quality changes in each step. It’s why formats are so special. You can experience films differently, physically & emotionally, in the multiple formats. What’s unique to VistaVision, is getting this gorgeous 1.50 aspect ratio with the 8-perf negative. It’s an astounding, tall and beautiful image. It’s the same format Paul Thomas Anderson used on One Battle After Another. When shooting in this format, you have so many options to release in IMAX 70mm, 70mm and of course, VistaVision. Film formats aren’t for show or a gimmick. They are an integral part of narrative storytelling. Filmmakers use it as a tool to tell the story in the best way possible. Anyone who knows me, knows I’m an analog guy. It just feels alive in a way that I can’t explain. #tomcruise #digger
🥹🥹🎙️🎙️Tomorrow on the podcast: For Project Hail Mary - Ryan Gosling joins the show along with the brilliant Phil Lord, Chris Miller and Rocky himself, James Ortiz. Growing up, my film school was DVD features. I watched and studied all the features on the Extended Editions for Lord of the Rings. I was in awe of the filmmaking and how the magic was created. That’s where I discovered the brilliant Andy Serkis and really tried to deepen my understanding of how every technical decision services the narrative and immersion. When I started this podcast, I originally envisioned it like a DVD features show where you hear from different departments for a film, from cinematography to editing to score to directing to acting, & so much more. Film is obviously so collaborative and there are so many departments that should be highlighted. I’m still working towards that. These conversations, which are all spoiler-free, dive into how the film was brought to life. This will be a 90-minute episode that dives into the craft and filmmaking of PROJECT HAIL MARY. It’s divided into three conversations starting with Ryan Gosling, then Phil Lord & Chris Miller, and finally James Ortiz, who does brilliant work bringing Rocky to life. I’m madly in-love with this film. So much so, that I’m working on a second episode to feature more artists from the film. This is such a special film. If you live near an IMAX 70mm theater, cherish that experience. And shout-out to @greigfraser_dp who did absolutely brilliant work. This is my favorite film that Greig has shot. It’s such a glorious & magnetic film. I can’t forget Daniel Pemberton. One of his best scores. More on the episode tomorrow. Links in bio for YouTube, Spotify, & Apple Podcasts. 🎙️🎙️❤️ And of course, thank you to Ryan Gosling for the incredibly kind words in this clip. We talked Drive, Place Beyond The Pines, Mickey Mouse Club, Greig Fraser, Daniel Pemberton, Legacy, & more. #reels #projecthailmary #ryangosling #cinema filmmaking
1.01M
19.3K
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5mo ago
kevinmccarthytv
🥹🥹🎙️🎙️Tomorrow on the podcast: For Project Hail Mary - Ryan Gosling joins the show along with the brilliant Phil Lord, Chris Miller and Rocky himself, James Ortiz. Growing up, my film school was DVD features. I watched and studied all the features on the Extended Editions for Lord of the Rings. I was in awe of the filmmaking and how the magic was created. That’s where I discovered the brilliant Andy Serkis and really tried to deepen my understanding of how every technical decision services the narrative and immersion. When I started this podcast, I originally envisioned it like a DVD features show where you hear from different departments for a film, from cinematography to editing to score to directing to acting, & so much more. Film is obviously so collaborative and there are so many departments that should be highlighted. I’m still working towards that. These conversations, which are all spoiler-free, dive into how the film was brought to life. This will be a 90-minute episode that dives into the craft and filmmaking of PROJECT HAIL MARY. It’s divided into three conversations starting with Ryan Gosling, then Phil Lord & Chris Miller, and finally James Ortiz, who does brilliant work bringing Rocky to life. I’m madly in-love with this film. So much so, that I’m working on a second episode to feature more artists from the film. This is such a special film. If you live near an IMAX 70mm theater, cherish that experience. And shout-out to @greigfraser_dp who did absolutely brilliant work. This is my favorite film that Greig has shot. It’s such a glorious & magnetic film. I can’t forget Daniel Pemberton. One of his best scores. More on the episode tomorrow. Links in bio for YouTube, Spotify, & Apple Podcasts. 🎙️🎙️❤️ And of course, thank you to Ryan Gosling for the incredibly kind words in this clip. We talked Drive, Place Beyond The Pines, Mickey Mouse Club, Greig Fraser, Daniel Pemberton, Legacy, & more. #reels #projecthailmary #ryangosling #cinema filmmaking
🎙️New podcast episode! 🤯🤯🤯 Singing lessons with Cynthia Erivo. I love geeking out about details like this. Cynthia walks me through her process of finding how she will sing a particular song. It’s these decisions that are so instrumental to why we feel a certain way during a song. Each decision in the writing and performing of a song is so integral to the emotional arc of Elphaba’s character. This is a perfect example of the collaborative process where Stephen Schwartz’s music is brought to life when combined with one of the greatest singers & artists of all-time. I need to give a shout-out to Cynthia for taking the time to do this interview. Cynthia did this interview at 8pm on a Saturday night from London, where she’s currently rehearsing for her Dracula one-woman show where she’s playing 23 characters. Could you imagine spending all week rehearsing for that and then taking the time to get on a Zoom to do a 60-min interview on a Saturday night? It’s because Cynthia shows up. She’s not only one of the most talented artists but she also one of the nicest and supportive person I’ve been lucky to meet and know in this industry. This is such an informative conversation about all the little intricate details that Cynthia used to bring Elphaba to life. Such a remarkable performance. The full episode is available now wherever you get your podcasts. Link in my bio for Spotify, Apple Podcasts and Spotify! Just search “On Film…With Kevin McCarthy” wherever you get your podcasts. Also, thanks to Cynthia’s incredible team at @theledecompany for making this happen in the middle of such a busy schedule. Can’t thank you enough. #reels #cynthiaerivo #wickedmovie #elphaba #noplacelikehome
949K
36.1K
381
7mo ago
kevinmccarthytv
🎙️New podcast episode! 🤯🤯🤯 Singing lessons with Cynthia Erivo. I love geeking out about details like this. Cynthia walks me through her process of finding how she will sing a particular song. It’s these decisions that are so instrumental to why we feel a certain way during a song. Each decision in the writing and performing of a song is so integral to the emotional arc of Elphaba’s character. This is a perfect example of the collaborative process where Stephen Schwartz’s music is brought to life when combined with one of the greatest singers & artists of all-time. I need to give a shout-out to Cynthia for taking the time to do this interview. Cynthia did this interview at 8pm on a Saturday night from London, where she’s currently rehearsing for her Dracula one-woman show where she’s playing 23 characters. Could you imagine spending all week rehearsing for that and then taking the time to get on a Zoom to do a 60-min interview on a Saturday night? It’s because Cynthia shows up. She’s not only one of the most talented artists but she also one of the nicest and supportive person I’ve been lucky to meet and know in this industry. This is such an informative conversation about all the little intricate details that Cynthia used to bring Elphaba to life. Such a remarkable performance. The full episode is available now wherever you get your podcasts. Link in my bio for Spotify, Apple Podcasts and Spotify! Just search “On Film…With Kevin McCarthy” wherever you get your podcasts. Also, thanks to Cynthia’s incredible team at @theledecompany for making this happen in the middle of such a busy schedule. Can’t thank you enough. #reels #cynthiaerivo #wickedmovie #elphaba #noplacelikehome

Kevin McCarthy (@kevinmccarthytv) Instagram Stats & Analytics

Kevin McCarthy (@kevinmccarthytv) has 500K Instagram followers with a 4.94% engagement rate over the past 12 months. Across 181 posts, Kevin McCarthy received 3.72M total likes and 70.7M impressions, averaging 20.5K likes per post. This page tracks Kevin McCarthy's performance metrics, top content, and engagement trends — updated daily.

Kevin McCarthy (@kevinmccarthytv) Instagram Analytics FAQ

How many Instagram followers does Kevin McCarthy have?+
Kevin McCarthy (@kevinmccarthytv) has 500K Instagram followers as of September 2026.
What is Kevin McCarthy's Instagram engagement rate?+
Kevin McCarthy's Instagram engagement rate is 4.94% over the last 12 months, based on 181 posts.
How many likes does Kevin McCarthy get on Instagram?+
Kevin McCarthy received 3.72M total likes across 181 posts in the last 12 months, averaging 20.5K likes per post.
How many Instagram impressions does Kevin McCarthy get?+
Kevin McCarthy's Instagram content generated 70.7M total impressions over the last 12 months.