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Who remembers The Pest?!? Thanks to Zendaya for letting me squeeze this question after my interview time ran out. As you can imagine, once you’ve seen The Odyssey, it’s tough to have meaningful conversations in a 5-minute window of time. John Leguizamo’s performance in The Odyssey is absolutely brilliant. He has such incredible range. @The Odyssey Movie #theodyssey #zendaya #johnleguizamo #thepest #filmmaking
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kevinmccarthytv
Who remembers The Pest?!? Thanks to Zendaya for letting me squeeze this question after my interview time ran out. As you can imagine, once you’ve seen The Odyssey, it’s tough to have meaningful conversations in a 5-minute window of time. John Leguizamo’s performance in The Odyssey is absolutely brilliant. He has such incredible range. @The Odyssey Movie #theodyssey #zendaya #johnleguizamo #thepest #filmmaking
Geeking out about filmmaking with Margaret Qualley, Jacob Elordi and Josh Brolin for The Dog Stars. In this conversation we talk cinematography, dogs and how an on-set idea led to my favorite scene in the film. Margaret talks about Once Upon A Time…In Hollywood. Jacob and Josh speak on the importance of knowing your frame and how the technical filmmaking services the emotional. I loved this chat because you really see how excited artists get to discuss their craft and the decisions they bring to the table for the audience’s experience. Filmmaking is such a beautifully collaborative effort. The Dog Stars is now playing in theaters. @20th Century Studios #thedogstars
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Geeking out about filmmaking with Margaret Qualley, Jacob Elordi and Josh Brolin for The Dog Stars. In this conversation we talk cinematography, dogs and how an on-set idea led to my favorite scene in the film. Margaret talks about Once Upon A Time…In Hollywood. Jacob and Josh speak on the importance of knowing your frame and how the technical filmmaking services the emotional. I loved this chat because you really see how excited artists get to discuss their craft and the decisions they bring to the table for the audience’s experience. Filmmaking is such a beautifully collaborative effort. The Dog Stars is now playing in theaters. @20th Century Studios #thedogstars
“My mom and dad are gonna be so mad at me.” Matthew Lillard speaks about the iconic Scream line, which was improvised and only one take. Clip from my “On Film…With Kevin McCarthy” podcast. Links in bios for the full episode. #matthewlillard #scream #wescraven #filmmaking #improv
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“My mom and dad are gonna be so mad at me.” Matthew Lillard speaks about the iconic Scream line, which was improvised and only one take. Clip from my “On Film…With Kevin McCarthy” podcast. Links in bios for the full episode. #matthewlillard #scream #wescraven #filmmaking #improv
🤯🤯🤯 Such a small world. Turns out that Matt Damon and I both saw the same 70mm print of Lawrence of Arabia on the Sony lot. Both screenings were courtesy of Tom Rothman. One of the greatest theatrical experiences I’ve ever had. ❤️🎥🎞️ #mattdamon #lawrenceofarabia #theodyssey #tomholland #christophernolan
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🤯🤯🤯 Such a small world. Turns out that Matt Damon and I both saw the same 70mm print of Lawrence of Arabia on the Sony lot. Both screenings were courtesy of Tom Rothman. One of the greatest theatrical experiences I’ve ever had. ❤️🎥🎞️ #mattdamon #lawrenceofarabia #theodyssey #tomholland #christophernolan
I meant every word. Anne Hathaway’s performance is remarkable. #annehathaway #tomholland #theodyssey #christophernolan #penelope @The Odyssey Movie @Anne Hathaway
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I meant every word. Anne Hathaway’s performance is remarkable. #annehathaway #tomholland #theodyssey #christophernolan #penelope @The Odyssey Movie @Anne Hathaway
I love filmmaking so much. The Hades scene, in Christopher Nolan’s The Odyssey, is one of the best I’ve seen in a long time. Truly haunting and continues to echo in my mind. Elliot Page’s performance and monologue is a true highlight of the film and a reminder of Sinon being the heart of the story. The mirror system used is absolutely brilliant. The narrative and emotional impact is deeply felt by both the actors and the audience. If you saw my conversation with Matt Damon, we discussed the idea of how this worked. Basically, because the IMAX cameras and blimp system (used to quiet the IMAX cameras - the older cameras sound like generators while the new Keighley cameras are quieter yet still too loud to record audible dialogue - the blimp masks a lot of that sound so Nolan doesn’t have to use ADR) are so large, actors are unable to stand in the normal eye line position when performing, off-screen, for the actor who’s in a close-up on the screen. When Elliot Page is delivering Sinon’s powerful monologue and we are only seeing him on the screen, Matt Damon is off screen to give the performance that Elliot needs to feel the raw emotion of the moment. As Elliot explains, normally, Matt Damon would have just stood right next to the camera to make sure the eye line matches. For the production of The Odyssey, since the cameras are so large, Damon had to stand outside of the eye line. Therefore, through the mirror system, Elliot and Matt can do the scene while looking at each other, through the mirror reflection, to bring the real emotional depth of the sequence to life. In this clip, you’ll see some behind-the-scenes footage, which is provided in a Universal Pictures featurette for press purposes, showing the size of the IMAX cameras and an example of the mirror system from a sequence with Tom Holland and Jon Bernthal. Truly amazing. Thanks again to Elliot Page for joining the show and geeking out about filmmaking. For the full hour long conversation, search “On Film….With Kevin McCarthy” wherever you get your podcasts. Links to Spotify, Apple and YouTube are in my bio. @The Odyssey Movie #elliotpage #theodyssey #christophernolan #sinon #mattdamon
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I love filmmaking so much. The Hades scene, in Christopher Nolan’s The Odyssey, is one of the best I’ve seen in a long time. Truly haunting and continues to echo in my mind. Elliot Page’s performance and monologue is a true highlight of the film and a reminder of Sinon being the heart of the story. The mirror system used is absolutely brilliant. The narrative and emotional impact is deeply felt by both the actors and the audience. If you saw my conversation with Matt Damon, we discussed the idea of how this worked. Basically, because the IMAX cameras and blimp system (used to quiet the IMAX cameras - the older cameras sound like generators while the new Keighley cameras are quieter yet still too loud to record audible dialogue - the blimp masks a lot of that sound so Nolan doesn’t have to use ADR) are so large, actors are unable to stand in the normal eye line position when performing, off-screen, for the actor who’s in a close-up on the screen. When Elliot Page is delivering Sinon’s powerful monologue and we are only seeing him on the screen, Matt Damon is off screen to give the performance that Elliot needs to feel the raw emotion of the moment. As Elliot explains, normally, Matt Damon would have just stood right next to the camera to make sure the eye line matches. For the production of The Odyssey, since the cameras are so large, Damon had to stand outside of the eye line. Therefore, through the mirror system, Elliot and Matt can do the scene while looking at each other, through the mirror reflection, to bring the real emotional depth of the sequence to life. In this clip, you’ll see some behind-the-scenes footage, which is provided in a Universal Pictures featurette for press purposes, showing the size of the IMAX cameras and an example of the mirror system from a sequence with Tom Holland and Jon Bernthal. Truly amazing. Thanks again to Elliot Page for joining the show and geeking out about filmmaking. For the full hour long conversation, search “On Film….With Kevin McCarthy” wherever you get your podcasts. Links to Spotify, Apple and YouTube are in my bio. @The Odyssey Movie #elliotpage #theodyssey #christophernolan #sinon #mattdamon
Elliot Page is awesome and one of the best actors working today. We sat down for an hour long conversation about Elliot’s incredible career from Hard Candy to Juno to Inception and, of course, his brilliant performance as Sinon in Christopher Nolan’s The Odyssey! The full episode is available now wherever you get your podcasts. Link to Spotify is available in my bio. Or search “On Film…With Kevin McCarthy” on your preferred podcast platform. I wanted to say thank you to Elliot for taking the time to join my show and geek out about filmmaking. His performance as Sinon is truly remarkable work and that Hades scene continues to echo in my mind. #elliotpage #theodyssey #christophernolan #inception #juno
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Elliot Page is awesome and one of the best actors working today. We sat down for an hour long conversation about Elliot’s incredible career from Hard Candy to Juno to Inception and, of course, his brilliant performance as Sinon in Christopher Nolan’s The Odyssey! The full episode is available now wherever you get your podcasts. Link to Spotify is available in my bio. Or search “On Film…With Kevin McCarthy” on your preferred podcast platform. I wanted to say thank you to Elliot for taking the time to join my show and geek out about filmmaking. His performance as Sinon is truly remarkable work and that Hades scene continues to echo in my mind. #elliotpage #theodyssey #christophernolan #inception #juno
Always love geeking out about filmmaking with Zendaya. One of the best artists working today. Loved this conversation with Zendaya and John Leguizamo for The Odyssey. Both have incredible performances in the film. #zendaya #theodyssey #christophernolan #johnleguizamo #athena
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Always love geeking out about filmmaking with Zendaya. One of the best artists working today. Loved this conversation with Zendaya and John Leguizamo for The Odyssey. Both have incredible performances in the film. #zendaya #theodyssey #christophernolan #johnleguizamo #athena
Austin Abrams is the only actor who didn’t bail on Zach Cregger’s original Weapons cast after the film was delayed due to scheduling issues. And now Austin is the lead of Cregger’s latest film, Resident Evil. In this clip Zach explains what happened with the original cast and Austin explains why he remained in the cast, despite getting other offers, which also meant he had to maintain the lighter weight of the Weapons character throughout the time it took to recast and then move into the new production schedule. Clip from our hour long conversation for my “On Film…With Kevin McCarthy” podcast. Links in bio for YouTube, Spotify and Apple Podcasts. Go see Resident Evil. It’s awesome. #residentevil #zachcregger #austinabrams #weapons #joshbrolin
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Austin Abrams is the only actor who didn’t bail on Zach Cregger’s original Weapons cast after the film was delayed due to scheduling issues. And now Austin is the lead of Cregger’s latest film, Resident Evil. In this clip Zach explains what happened with the original cast and Austin explains why he remained in the cast, despite getting other offers, which also meant he had to maintain the lighter weight of the Weapons character throughout the time it took to recast and then move into the new production schedule. Clip from our hour long conversation for my “On Film…With Kevin McCarthy” podcast. Links in bio for YouTube, Spotify and Apple Podcasts. Go see Resident Evil. It’s awesome. #residentevil #zachcregger #austinabrams #weapons #joshbrolin
Watch until the end! Wow! We all know the bees seen in “My Girl.” What I didn’t know was how it was actually done. This story shocked me. Watch until the end. It gets even more shocking. I can’t imagine. When I was a kid, I was mowing the lawn and got stuck by 15 yellow-jackets at the same time. It still haunts me to this day when I see a bee near me. To think Macaulay Culkin had thousands of bees on him, is absolutely wild to me. The question I asked, in the interview, was about how Macaulay emotional grappled with filming a death scene, in “My Girl”, at such a young age. I wanted to know how that affected him. And that lead to the answer about the bees. For the full podcast conversation with Macaulay Culkin, you can listen & watch via Spotify, YouTube, Apple or wherever you listen to podcasts. #macaulayculkin #mygirl #homealone #bees
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Watch until the end! Wow! We all know the bees seen in “My Girl.” What I didn’t know was how it was actually done. This story shocked me. Watch until the end. It gets even more shocking. I can’t imagine. When I was a kid, I was mowing the lawn and got stuck by 15 yellow-jackets at the same time. It still haunts me to this day when I see a bee near me. To think Macaulay Culkin had thousands of bees on him, is absolutely wild to me. The question I asked, in the interview, was about how Macaulay emotional grappled with filming a death scene, in “My Girl”, at such a young age. I wanted to know how that affected him. And that lead to the answer about the bees. For the full podcast conversation with Macaulay Culkin, you can listen & watch via Spotify, YouTube, Apple or wherever you listen to podcasts. #macaulayculkin #mygirl #homealone #bees
Watch until the end. What an incredible answer. Clip from my “On Film…With Kevin McCarthy” podcast. Links in bio for Spotify, Apple and YouTube. #jamieleecurtis #tonycurtis #janetleigh #legacy #forever
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Watch until the end. What an incredible answer. Clip from my “On Film…With Kevin McCarthy” podcast. Links in bio for Spotify, Apple and YouTube. #jamieleecurtis #tonycurtis #janetleigh #legacy #forever
Part II. Tom Cruise and I geeking out about lenses and lighting while we stand in front of the actual Beaumont VistaVision camera that Emmanuel “Chivo” Lubezki used to film Alejandro González Iñárritu‘s DIGGER. How beautiful is that horizontal film magazine?!? What an honor to be able to chat technical filmmaking with such a brilliant artist. Hey @Tom Cruise, when are we starting our own filmmaking podcast? ❤️🎥🎞️ #tomcruise #vistavision #digger #interviewwiththevampire #cinematography
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Part II. Tom Cruise and I geeking out about lenses and lighting while we stand in front of the actual Beaumont VistaVision camera that Emmanuel “Chivo” Lubezki used to film Alejandro González Iñárritu‘s DIGGER. How beautiful is that horizontal film magazine?!? What an honor to be able to chat technical filmmaking with such a brilliant artist. Hey @Tom Cruise, when are we starting our own filmmaking podcast? ❤️🎥🎞️ #tomcruise #vistavision #digger #interviewwiththevampire #cinematography
Happy accidents make for iconic film moments. We all know this scene from The Mummy Returns. What I didn’t know, is that Brendan Fraser did an ad-lib on the best moment of that sequence. Clip from my “On Film…With Kevin McCarthy” podcast. Full episode available now. Links in bio for Spotify, Apple and YouTube versions. Show is available in video and audio formats. #brendanfraser #themummy #themummyreturns #rickoconnell #filmmaking
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Happy accidents make for iconic film moments. We all know this scene from The Mummy Returns. What I didn’t know, is that Brendan Fraser did an ad-lib on the best moment of that sequence. Clip from my “On Film…With Kevin McCarthy” podcast. Full episode available now. Links in bio for Spotify, Apple and YouTube versions. Show is available in video and audio formats. #brendanfraser #themummy #themummyreturns #rickoconnell #filmmaking
Part 3 with the brilliant James Ortiz! This clip is all about James finding Rocky’s voice in Project Hail Mary. In the first clip, we talked about the practical puppetry on the set of Project Hail Mary. The second clip dealt with the amazing way CGI was used to blend with practical to bring Rocky to life. You can see the older clips on my TikTok page. These clips are part of my longer podcast episode featuring Ryan Gosling, Phil Lord, Chris Miller and James Ortiz. Links in bio for Spotify, Apple and YouTube for the “On Film…With Kevin McCarthy” podcast. #projecthailmary #jamesortiz #rocky #filmmaking #cinema
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Part 3 with the brilliant James Ortiz! This clip is all about James finding Rocky’s voice in Project Hail Mary. In the first clip, we talked about the practical puppetry on the set of Project Hail Mary. The second clip dealt with the amazing way CGI was used to blend with practical to bring Rocky to life. You can see the older clips on my TikTok page. These clips are part of my longer podcast episode featuring Ryan Gosling, Phil Lord, Chris Miller and James Ortiz. Links in bio for Spotify, Apple and YouTube for the “On Film…With Kevin McCarthy” podcast. #projecthailmary #jamesortiz #rocky #filmmaking #cinema
As a massive fan of the Good Will Hunting Cinematic Universe, I'm always on the hunt to discover anything new about it. So imagine my face when I stumbled upon this @IMDb page about a Good Will Hunting sitcom from the 90s during my research for THE RIP junket? I thought I had made a new discovery that no one knew about. I wasn't sure if it was real so I went straight to the source to ask. Now I'm just confused because I found all this random stuff like an old draft of a script and some other things. Weird. #AEpartner #therip #benaffleck #mattdamon #goodwillhunting
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As a massive fan of the Good Will Hunting Cinematic Universe, I'm always on the hunt to discover anything new about it. So imagine my face when I stumbled upon this @IMDb page about a Good Will Hunting sitcom from the 90s during my research for THE RIP junket? I thought I had made a new discovery that no one knew about. I wasn't sure if it was real so I went straight to the source to ask. Now I'm just confused because I found all this random stuff like an old draft of a script and some other things. Weird. #AEpartner #therip #benaffleck #mattdamon #goodwillhunting
Amanda Seyfried & Mona Fastvold join my “On Film…With Kevin McCarthy” podcast to talk about “The Testament of Ann Lee”. Such a remarkable film and a brilliant performance by Amanda Seyfried. The film is now playing in 70mm. Mona Fastvold did such an incredible job with this film. Go see this in the cinema. Daniel Blumberg’s score is phenomenal. Like “The Brutalist,” I can’t wait to buy the vinyl for the soundtrack. Clip from my “On Film…With Kevin McCarthy” podcast. Show available on Spotify, YouTube, Apple Podcasts and/or wherever you get your podcasts. #thetestamentofannlee #amandaseyfried #monafastvold #birth #filmmaking
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Amanda Seyfried & Mona Fastvold join my “On Film…With Kevin McCarthy” podcast to talk about “The Testament of Ann Lee”. Such a remarkable film and a brilliant performance by Amanda Seyfried. The film is now playing in 70mm. Mona Fastvold did such an incredible job with this film. Go see this in the cinema. Daniel Blumberg’s score is phenomenal. Like “The Brutalist,” I can’t wait to buy the vinyl for the soundtrack. Clip from my “On Film…With Kevin McCarthy” podcast. Show available on Spotify, YouTube, Apple Podcasts and/or wherever you get your podcasts. #thetestamentofannlee #amandaseyfried #monafastvold #birth #filmmaking
😂😂😂 “How come you didn’t say that on-camera?” Coming soon to the podcast. Christopher Nolan, Matt Damon, Tom Holland, Anne Hathaway, Lupita Nyong’o, Himesh Patel, Zendaya and John Leguizamo. All geeking out about The Odyssey. These interviews will be divided over two episodes. For now, I’ll have some clips from each of the conversations. Search “On Film…With Kevin McCarthy” wherever you get your podcasts. Here’s the beginning and first question with Christopher Nolan. I’ve been interviewing Nolan for 12 years now. The first time was Interstellar. Prior to The Odyssey, we would always have conversations about filming select scenes in the IMAX format, which is why you would see the shifting aspect ratios when watching the IMAX format. With The Odyssey, there are multiple formats with different aspect ratios that show either more or less of the full image that Nolan and Hoytema filmed on the day. I was really surprised to hear this answer and how they deal with knowing where the action will be in the frame for all the different formats. #christophernolan #theodyssey #hoytevanhoytema #thedarkknight #interstellar
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😂😂😂 “How come you didn’t say that on-camera?” Coming soon to the podcast. Christopher Nolan, Matt Damon, Tom Holland, Anne Hathaway, Lupita Nyong’o, Himesh Patel, Zendaya and John Leguizamo. All geeking out about The Odyssey. These interviews will be divided over two episodes. For now, I’ll have some clips from each of the conversations. Search “On Film…With Kevin McCarthy” wherever you get your podcasts. Here’s the beginning and first question with Christopher Nolan. I’ve been interviewing Nolan for 12 years now. The first time was Interstellar. Prior to The Odyssey, we would always have conversations about filming select scenes in the IMAX format, which is why you would see the shifting aspect ratios when watching the IMAX format. With The Odyssey, there are multiple formats with different aspect ratios that show either more or less of the full image that Nolan and Hoytema filmed on the day. I was really surprised to hear this answer and how they deal with knowing where the action will be in the frame for all the different formats. #christophernolan #theodyssey #hoytevanhoytema #thedarkknight #interstellar
🤯🤯🤯🤯🤯 How is this even possible?! Wow. For context, over the years, when Christopher Nolan would film IMAX sequences in films like The Dark Knight or Interstellar, he couldn’t record usable dialogue because the cameras were so loud. This is why you would see aspect ratio changes, from the IMAX 1.43:1 to the wider 2.20:1, in films like Dunkirk where we are in heavier dialogue scenes on the boat. The cameras sounded like lawn mowers. It was a temporary solution that has now lead us to this moment where Nolan can now achieve every scene in the IMAX format. With the new Keighley IMAX camera, they were able to achieve a quieter camera but it still wasn’t quiet enough to record the clean dialogue. Therefore, the filmmakers built a “blimp” system to encase the IMAX camera, which brought the camera noise down significantly. This way, Nolan doesn’t have to use ADR for the actors to re-record their dialogue. He could get the actual performance, in IMAX, on the day without having to use a regular 65mm camera to film the scene with the real audio. He could get the scene he wanted with the IMAX film camera. That presented another challenge though because the blimp is so large that actors couldn’t stand naturally in front of each other to film highly intimate scenes. Nolan created a mirror system where the actors could still see the other, in the mirror reflection, to still bring the authenticity to the sequence. Pure filmmaking magic. Podcast episodes coming soon with Christopher Nolan, Matt Damon and the cast. Search “On Film…With Kevin McCarthy” wherever you get your podcasts. #christophernolan #mattdamon #theodyssey #hoytevanhoytema #keithdavis
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🤯🤯🤯🤯🤯 How is this even possible?! Wow. For context, over the years, when Christopher Nolan would film IMAX sequences in films like The Dark Knight or Interstellar, he couldn’t record usable dialogue because the cameras were so loud. This is why you would see aspect ratio changes, from the IMAX 1.43:1 to the wider 2.20:1, in films like Dunkirk where we are in heavier dialogue scenes on the boat. The cameras sounded like lawn mowers. It was a temporary solution that has now lead us to this moment where Nolan can now achieve every scene in the IMAX format. With the new Keighley IMAX camera, they were able to achieve a quieter camera but it still wasn’t quiet enough to record the clean dialogue. Therefore, the filmmakers built a “blimp” system to encase the IMAX camera, which brought the camera noise down significantly. This way, Nolan doesn’t have to use ADR for the actors to re-record their dialogue. He could get the actual performance, in IMAX, on the day without having to use a regular 65mm camera to film the scene with the real audio. He could get the scene he wanted with the IMAX film camera. That presented another challenge though because the blimp is so large that actors couldn’t stand naturally in front of each other to film highly intimate scenes. Nolan created a mirror system where the actors could still see the other, in the mirror reflection, to still bring the authenticity to the sequence. Pure filmmaking magic. Podcast episodes coming soon with Christopher Nolan, Matt Damon and the cast. Search “On Film…With Kevin McCarthy” wherever you get your podcasts. #christophernolan #mattdamon #theodyssey #hoytevanhoytema #keithdavis
Incredible. This is incredible. Matthew Lillard on how he found, and has maintained, the voice of Shaggy for almost 25-years. He began with the character, in live action, back in 2002 and continues to do the voice work to this day. 🎙️Clip from my “On Film…With Kevin McCarthy” podcast. Links in my bio for YouTube, Apple Podcasts and Spotify. #matthewlillard #s#scoobydoos#shaggyvoicework #movies
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Incredible. This is incredible. Matthew Lillard on how he found, and has maintained, the voice of Shaggy for almost 25-years. He began with the character, in live action, back in 2002 and continues to do the voice work to this day. 🎙️Clip from my “On Film…With Kevin McCarthy” podcast. Links in my bio for YouTube, Apple Podcasts and Spotify. #matthewlillard #s#scoobydoos#shaggyvoicework #movies
Macaulay Culkin joins my “On Film…With Kevin McCarthy” podcast to talk all things Home Alone, Uncle Buck, John Candy, Richie Rich, My Girl and his tour, “A Nostalgic Night With Macaulay Culkin”. For the full conversation, you can watch & listen via Spotify, YouTube, Apple Podcasts and more. Just search “On Film…With Kevin McCarthy” and all the previous episodes will show up along with the Macaulay Culkin episode. #macaulayculkin #homealone #kevinmacallister
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Macaulay Culkin joins my “On Film…With Kevin McCarthy” podcast to talk all things Home Alone, Uncle Buck, John Candy, Richie Rich, My Girl and his tour, “A Nostalgic Night With Macaulay Culkin”. For the full conversation, you can watch & listen via Spotify, YouTube, Apple Podcasts and more. Just search “On Film…With Kevin McCarthy” and all the previous episodes will show up along with the Macaulay Culkin episode. #macaulayculkin #homealone #kevinmacallister

kevinmccarthytv (@kevinmccarthytv) TikTok Stats & Analytics

kevinmccarthytv (@kevinmccarthytv) has 393K TikTok followers with a 8.18% engagement rate over the past 12 months. Across 144 videos, kevinmccarthytv received 4.54M total likes and 55.9M views, averaging 31.6K likes per video. This page tracks kevinmccarthytv's performance metrics, top content, and engagement trends — updated daily. To benchmark @kevinmccarthytv against other accounts, use Socialpruf's TikTok competitor analysis tool.

kevinmccarthytv (@kevinmccarthytv) TikTok Analytics FAQ

How many TikTok followers does kevinmccarthytv have?+
kevinmccarthytv (@kevinmccarthytv) has 393K TikTok followers as of November 2026.
What is kevinmccarthytv's TikTok engagement rate?+
kevinmccarthytv's TikTok engagement rate is 8.18% over the last 12 months, based on 144 videos.
How many likes does kevinmccarthytv get on TikTok?+
kevinmccarthytv received 4.54M total likes across 144 videos in the last 12 months, averaging 31.6K likes per video.
How many TikTok views does kevinmccarthytv get?+
kevinmccarthytv's TikTok content generated 55.9M total views over the last 12 months.
Can I compare kevinmccarthytv with other TikTok accounts?+
Yes. Add @kevinmccarthytv to a competitor set with Socialpruf's TikTok competitor analysis tool and benchmark it side by side with any other public accounts on views, engagement rate and follower growth, with history back to each account's first post.