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BoF founder and editor-in-chief @imranamed greets new #BoF500 members @beccca and @srchafreen on the Gala red carpet in Paris this evening.
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BoF founder and editor-in-chief @imranamed greets new #BoF500 members @beccca and @srchafreen on the Gala red carpet in Paris this evening.
Actor Freen Sarocha Chankimha (@srchafreen) attended the #BoF500 Gala in Paris, celebrating fashion’s biggest figures. 🎥 @f2max x @maximsap
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Actor Freen Sarocha Chankimha (@srchafreen) attended the #BoF500 Gala in Paris, celebrating fashion’s biggest figures. 🎥 @f2max x @maximsap
At the #BoF500 Gala, Rebecca Patricia Armstrong (@beccca) arrives to celebrate her addition to the Class of 2025. 🎥 @1001filmsproduction
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At the #BoF500 Gala, Rebecca Patricia Armstrong (@beccca) arrives to celebrate her addition to the Class of 2025. 🎥 @1001filmsproduction
#BoF500 Class of 2025 member @beccca joins at the Gala on the red carpet in Paris. With thanks to our presenting partner @amazonfashion.
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#BoF500 Class of 2025 member @beccca joins at the Gala on the red carpet in Paris. With thanks to our presenting partner @amazonfashion.
@c.syresmith and @christianlouboutin arrive together at the #BoF500 Gala in Paris to celebrate the people shaping the global fashion industry.
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@c.syresmith and @christianlouboutin arrive together at the #BoF500 Gala in Paris to celebrate the people shaping the global fashion industry.
Today, The Business of Fashion is excited to reveal The #BoF500 Class of 2025, our newest additions to the definitive index of the people shaping the global fashion industry. As we set about compiling The Class of 2025, we sifted through 528 nominations from current BoF 500 members and gathered intel from the BoF team and other sources around the world to surface the most compelling names based on key criteria including leadership, creativity, innovation and impact, across eight categories: Designers, Executives, Media, Retailers, Entrepreneurs, Creative Class, Models & Muses and Catalysts. Stay tuned for coverage from the annual BoF 500 gala in Paris tomorrow, Oct 4, 2025. To explore the full index, head to the #linkinbio The BoF 500 2025 is made possible by presenting partner @amazonfashion.
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Today, The Business of Fashion is excited to reveal The #BoF500 Class of 2025, our newest additions to the definitive index of the people shaping the global fashion industry. As we set about compiling The Class of 2025, we sifted through 528 nominations from current BoF 500 members and gathered intel from the BoF team and other sources around the world to surface the most compelling names based on key criteria including leadership, creativity, innovation and impact, across eight categories: Designers, Executives, Media, Retailers, Entrepreneurs, Creative Class, Models & Muses and Catalysts. Stay tuned for coverage from the annual BoF 500 gala in Paris tomorrow, Oct 4, 2025. To explore the full index, head to the #linkinbio The BoF 500 2025 is made possible by presenting partner @amazonfashion.
Yohji Yamamoto is angry. “Fashion has become a joke,” he says. “It’s all about money. The major companies of fashion, they’re like kids playing soccer, just running after the ball. They’re not thinking about their customers. I just think they have too much money, so they don’t need to work hard. Money is always floating on them.” There’s little doubt the sharp downturn in demand for some of the world’s largest and most prestigious luxury houses is, in part, the product of what some analysts have called “greedflation” as brands sought to juice profits with punchy price hikes while under-delivering on creative innovation and quality. But Yohji-san, as he is called out of respect by his team and the wider industry, is no stranger to tough times. “We were there before also,” he says, recalling his 2009 bankruptcy and restructuring. “So now I’m focused on making my company small but strong.” A survivor who succeeded by going against the grain with the label he founded more than four decades ago, Yamamoto’s creative energy has long sprung from anger and frustration. In the early years, the loss of his father during World War II when he was only two years old was the main source of his fury, but these days he’s equally upset about the state of fashion — and the wider world. Founder and Editor in Chief @imranamed sat down with Yamamoto at his Tokyo headquarters for a #BoF500 cover story to discuss the future of his company, of fashion and of a planet roiled by wars and climate disasters. Read the full interview #linkinbio @imranamed @vikramkansara @oliverhadleepearch @ferdinandoverderi @sabrinagscott @roscoproduction @yohjiyamamotoofficial #yohjiyamamoto
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Yohji Yamamoto is angry. “Fashion has become a joke,” he says. “It’s all about money. The major companies of fashion, they’re like kids playing soccer, just running after the ball. They’re not thinking about their customers. I just think they have too much money, so they don’t need to work hard. Money is always floating on them.” There’s little doubt the sharp downturn in demand for some of the world’s largest and most prestigious luxury houses is, in part, the product of what some analysts have called “greedflation” as brands sought to juice profits with punchy price hikes while under-delivering on creative innovation and quality. But Yohji-san, as he is called out of respect by his team and the wider industry, is no stranger to tough times. “We were there before also,” he says, recalling his 2009 bankruptcy and restructuring. “So now I’m focused on making my company small but strong.” A survivor who succeeded by going against the grain with the label he founded more than four decades ago, Yamamoto’s creative energy has long sprung from anger and frustration. In the early years, the loss of his father during World War II when he was only two years old was the main source of his fury, but these days he’s equally upset about the state of fashion — and the wider world. Founder and Editor in Chief @imranamed sat down with Yamamoto at his Tokyo headquarters for a #BoF500 cover story to discuss the future of his company, of fashion and of a planet roiled by wars and climate disasters. Read the full interview #linkinbio @imranamed @vikramkansara @oliverhadleepearch @ferdinandoverderi @sabrinagscott @roscoproduction @yohjiyamamotoofficial #yohjiyamamoto
“When I was at university, [John Galliano] was like a hero, and still is to this day. And he is Dior in the public imagination.” Ahead of Jonathan Anderson’s haute couture debut at Dior today, the designer reflects on inviting John Galliano to visit the couture studio, the advice he imparted, and the lasting impact his legacy continues to have on the house. Click the #linkinbio to read the in-depth interview and tune in later today for a special episode of The BoF Podcast for @ImranAmed’s full interview with @jonathan.anderson @dior. 📹 @an_gel_n
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“When I was at university, [John Galliano] was like a hero, and still is to this day. And he is Dior in the public imagination.” Ahead of Jonathan Anderson’s haute couture debut at Dior today, the designer reflects on inviting John Galliano to visit the couture studio, the advice he imparted, and the lasting impact his legacy continues to have on the house. Click the #linkinbio to read the in-depth interview and tune in later today for a special episode of The BoF Podcast for @ImranAmed’s full interview with @jonathan.anderson @dior. 📹 @an_gel_n
Giorgio Armani, whose single-minded pursuit of an aesthetic ideal led him to become the richest designer in the world, and the sole owner of what was for many years the most successful fashion company in Italy, has died. For five decades, Armani, a one-time window dresser turned self-made industrialist, towered over the Milanese fashion world as he crafted a multibillion-dollar empire of luxury apparel, accessories, fragrances, makeup, furniture, hotels and restaurants. His signature stripped-down, soft tailoring was widely credited for having redefined the working wardrobe for both men and women in the 1980s, and his pioneering embrace of Hollywood made him a glamorous household name in America long before his peers acknowledged the value of red-carpet exposure. In an industry where creative and commercial functions are rarely led by the same person, Armani, whose near-obsessive sense of control also extended to business matters, was the rare designer who simultaneously served as chairman and chief executive of his own company. For decades, the results were spectacular. Read the full story by BoF’s @ericwilsonsays #linkinbio
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Giorgio Armani, whose single-minded pursuit of an aesthetic ideal led him to become the richest designer in the world, and the sole owner of what was for many years the most successful fashion company in Italy, has died. For five decades, Armani, a one-time window dresser turned self-made industrialist, towered over the Milanese fashion world as he crafted a multibillion-dollar empire of luxury apparel, accessories, fragrances, makeup, furniture, hotels and restaurants. His signature stripped-down, soft tailoring was widely credited for having redefined the working wardrobe for both men and women in the 1980s, and his pioneering embrace of Hollywood made him a glamorous household name in America long before his peers acknowledged the value of red-carpet exposure. In an industry where creative and commercial functions are rarely led by the same person, Armani, whose near-obsessive sense of control also extended to business matters, was the rare designer who simultaneously served as chairman and chief executive of his own company. For decades, the results were spectacular. Read the full story by BoF’s @ericwilsonsays #linkinbio
Ananya Panday (@ananyapanday) attends the #BoF500 Gala to celebrate the leading figures in the fashion industry. 🎥 @1001filmsproduction
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Ananya Panday (@ananyapanday) attends the #BoF500 Gala to celebrate the leading figures in the fashion industry. 🎥 @1001filmsproduction
“‘To be or not to be’ is about resistance. The most famous lines ever written by a human being have been defanged and deradicalised. It’s about fighting back against oppression.” This week on The BoF Podcast, we revisit Riz Ahmed (@rizahmed) on stage at #BoFVOICES 2025 who spoke about the purpose of storytelling and the importance of remembering our sense of shared humanity during divisive times. 🎙️ Listen now #linkinbio #BoFPodcast 📷 Getty Images
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“‘To be or not to be’ is about resistance. The most famous lines ever written by a human being have been defanged and deradicalised. It’s about fighting back against oppression.” This week on The BoF Podcast, we revisit Riz Ahmed (@rizahmed) on stage at #BoFVOICES 2025 who spoke about the purpose of storytelling and the importance of remembering our sense of shared humanity during divisive times. 🎙️ Listen now #linkinbio #BoFPodcast 📷 Getty Images
“15 million garments arrive every week, and around 40% are immediately discarded because they are low quality, or damaged, or simply unsellable.” shared BoF’s founder, CEO and editor-in-chief, @ImranAmed. Liz Ricketts, co-founder and executive director of The Or Foundation (@theorispresent), delivered a powerful talk in Session 2 of BoF VOICES on ending waste colonialism. On stage, she shared the harrowing realities faced by young women in Accra, Ghana, who carry heavy bales of secondhand garments – bringing urgent attention to the human cost of the global fashion system. To watch every session from VOICES 2025, head to the #linkinbio
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“15 million garments arrive every week, and around 40% are immediately discarded because they are low quality, or damaged, or simply unsellable.” shared BoF’s founder, CEO and editor-in-chief, @ImranAmed. Liz Ricketts, co-founder and executive director of The Or Foundation (@theorispresent), delivered a powerful talk in Session 2 of BoF VOICES on ending waste colonialism. On stage, she shared the harrowing realities faced by young women in Accra, Ghana, who carry heavy bales of secondhand garments – bringing urgent attention to the human cost of the global fashion system. To watch every session from VOICES 2025, head to the #linkinbio
“Consumers are getting are smarter, products are getting dumber… we need to meet somewhere in between and recalibrate.” Content creator, and founder and Chief Executive of @Poubel, @GstaadGuy, weighed in on the luxury fashion industry’s need to evolve — urging brands to sharpen both product and narrative before savvy consumers call out the gaps themselves. To watch every session from VOICES 2025, head to the #linkinbio
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“Consumers are getting are smarter, products are getting dumber… we need to meet somewhere in between and recalibrate.” Content creator, and founder and Chief Executive of @Poubel, @GstaadGuy, weighed in on the luxury fashion industry’s need to evolve — urging brands to sharpen both product and narrative before savvy consumers call out the gaps themselves. To watch every session from VOICES 2025, head to the #linkinbio
A Devil Wears Prada 2 moment at @dolcegabbana
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A Devil Wears Prada 2 moment at @dolcegabbana
In today's market, cosmetics are largely a mass business, but growth can be found in the luxury sector as shoppers trade up to treat themselves. The prestige tier is dominated by a mix of makeup artistry labels like MAC Cosmetics and Nars, designer labels like Chanel and Dior and legacy lines like Lancôme and Clinique. Each competes across cosmetic categories, from lipstick to complexion, and all rely on a mix of premium performance and beautiful branding to justify the splurge. As one of the few fashion brands to command a billion-dollar beauty business, YSL has a shot at eclipsing the competition, if it can fine-tune its ambassador strategy, reinvest in its core categories and embrace digital platforms where makeup is increasingly being sold. BoF's Brennan Kilbane (@brennankilbane) explores how YSL could win the designer makeup wars. Read the full story #linkinbio Editor’s note: Euromonitor ranking of prestige colour cosmetics brands according to global retail sales (June 2026)
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In today's market, cosmetics are largely a mass business, but growth can be found in the luxury sector as shoppers trade up to treat themselves. The prestige tier is dominated by a mix of makeup artistry labels like MAC Cosmetics and Nars, designer labels like Chanel and Dior and legacy lines like Lancôme and Clinique. Each competes across cosmetic categories, from lipstick to complexion, and all rely on a mix of premium performance and beautiful branding to justify the splurge. As one of the few fashion brands to command a billion-dollar beauty business, YSL has a shot at eclipsing the competition, if it can fine-tune its ambassador strategy, reinvest in its core categories and embrace digital platforms where makeup is increasingly being sold. BoF's Brennan Kilbane (@brennankilbane) explores how YSL could win the designer makeup wars. Read the full story #linkinbio Editor’s note: Euromonitor ranking of prestige colour cosmetics brands according to global retail sales (June 2026)
@ananyapanday walks the red carpet at the #BoF500 Gala in Paris, celebrating the people shaping the global fashion industry.
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@ananyapanday walks the red carpet at the #BoF500 Gala in Paris, celebrating the people shaping the global fashion industry.
“Valentino: Live a hundred years!” That was the fervent wish of Jacqueline Kennedy Onassis, the designer’s most famous client, in 1966. He almost made it. Valentino Clemente Ludovico Garavani died today at the age of 93. He managed to outlive Jackie, and also his rivals Yves Saint Laurent and Karl Lagerfeld, with whom he was so often linked. Women’s Wear Daily had names for them all. Yves the King, Karl the Kaiser, Valentino the Chic. But the documentary that was released about him in 2008, the year he retired, bequeathed Valentino another, more enduring title: the Last Emperor. It was the perfect sobriquet for a man whose life had a distinctly imperial gloss, though he himself blanched at the notion. He thought Valentino hardly sounded like an emperor’s name. And yet he lived like one. Grand collections of art and objets were housed in a selection of magnificent homes: a palazzo on the Piazza Mignanelli and a villa on the Appian Way in Rome; a 19th century mansion in London; a chalet in Gstaad; a penthouse in New York, and, just outside Paris, the Château de Wideville, once home to one of Louis XVII’s mistresses. Valentino’s 152-foot yacht the T.M.Blue One was a familiar sight around the Mediterranean in the summer. Then there were the parties. Read more by @TimBlanks #linkinbio
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“Valentino: Live a hundred years!” That was the fervent wish of Jacqueline Kennedy Onassis, the designer’s most famous client, in 1966. He almost made it. Valentino Clemente Ludovico Garavani died today at the age of 93. He managed to outlive Jackie, and also his rivals Yves Saint Laurent and Karl Lagerfeld, with whom he was so often linked. Women’s Wear Daily had names for them all. Yves the King, Karl the Kaiser, Valentino the Chic. But the documentary that was released about him in 2008, the year he retired, bequeathed Valentino another, more enduring title: the Last Emperor. It was the perfect sobriquet for a man whose life had a distinctly imperial gloss, though he himself blanched at the notion. He thought Valentino hardly sounded like an emperor’s name. And yet he lived like one. Grand collections of art and objets were housed in a selection of magnificent homes: a palazzo on the Piazza Mignanelli and a villa on the Appian Way in Rome; a 19th century mansion in London; a chalet in Gstaad; a penthouse in New York, and, just outside Paris, the Château de Wideville, once home to one of Louis XVII’s mistresses. Valentino’s 152-foot yacht the T.M.Blue One was a familiar sight around the Mediterranean in the summer. Then there were the parties. Read more by @TimBlanks #linkinbio
Becca Bloom (@beccaxbloom) on the red-carpet during the #BoF500 to celebrate the fashion industry’s leading figures. 🎥 @1001filmsproduction
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Becca Bloom (@beccaxbloom) on the red-carpet during the #BoF500 to celebrate the fashion industry’s leading figures. 🎥 @1001filmsproduction
Davika Hoorne (@davikah) on the red-carpet at the #BoF500 Gala, celebrating the people shaping the global fashion industry. 🎥 @1001filmsproduction
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Davika Hoorne (@davikah) on the red-carpet at the #BoF500 Gala, celebrating the people shaping the global fashion industry. 🎥 @1001filmsproduction
“African Fashion is a $31 billion industry today, projected to be $50 billion by 2030. But still we import more than we export. I’m one of the few exports of the continent.” On the #BoFVOICES stage, BoF founder and editor-in-chief, @ImranAmed, joined the DJ @realblackcoffee who unpacked how the world continues to underestimate Africa — and why acknowledging its true magnitude is essential for unlocking its creative and economic power. To watch every session from VOICES 2025, head to the #linkinbio Interior staging partner @theinvisiblecollection
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“African Fashion is a $31 billion industry today, projected to be $50 billion by 2030. But still we import more than we export. I’m one of the few exports of the continent.” On the #BoFVOICES stage, BoF founder and editor-in-chief, @ImranAmed, joined the DJ @realblackcoffee who unpacked how the world continues to underestimate Africa — and why acknowledging its true magnitude is essential for unlocking its creative and economic power. To watch every session from VOICES 2025, head to the #linkinbio Interior staging partner @theinvisiblecollection

The Business of Fashion (@bof) Instagram Stats & Analytics

The Business of Fashion (@bof) has 3.17M Instagram followers with a 1.92% engagement rate over the past 12 months. Across 1.03K posts, The Business of Fashion received 6.64M total likes and 124M impressions, averaging 6.43K likes per post. This page tracks The Business of Fashion's performance metrics, top content, and engagement trends — updated daily.

The Business of Fashion (@bof) Instagram Analytics FAQ

How many Instagram followers does The Business of Fashion have?+
The Business of Fashion (@bof) has 3.17M Instagram followers as of August 2026.
What is The Business of Fashion's Instagram engagement rate?+
The Business of Fashion's Instagram engagement rate is 1.92% over the last 12 months, based on 1.03K posts.
How many likes does The Business of Fashion get on Instagram?+
The Business of Fashion received 6.64M total likes across 1.03K posts in the last 12 months, averaging 6.43K likes per post.
How many Instagram impressions does The Business of Fashion get?+
The Business of Fashion's Instagram content generated 124M total impressions over the last 12 months.